Quotes 61 till 80 of 166.
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In America, the only truly popular art form is the movies. Most people consider painting a hobby and literature, schoolwork.
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In horror movies today it's lots of fast cut shot and lots of loud noises on the soundtrack. I tried to do the opposite. Playing with silence for instance.
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In movies we tend make things black and white: you're either this, or you're that.
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In our culture, we get very much into shorthanding people. And I got shorthanded as That Guy: Jennifer Lopez, movies bombed, therefore he must be a sort of thoughtless dilettante, solipsistic consumer blahblahblah. It's hard to shake those sort of narratives.
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In the back of your mind, when you say you want to write music for the movies, you're saying that you want a big house, a big car and a boat. If you just wanted to write music, you could live in Kansas and do it.
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In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.
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It gets so boring at home. After all, how many reruns of Abbott and Costello movies can a guy watch on television?
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It is a mark of soulfulness to be present in the here and now. When we are present, we are not fabricating inner movies. We are seeing what is before us.
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It was a time after 'Lady Sings the Blues' and 'Mahogany' and all those romantic movies: I became this romantic figure on the street in a very special way.
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It was strange being an adolescent fantasy for other people. I was so cut off from the real world. I went straight into the movies as a teenybopper, and had a very protracted adolescence myself. I was divorced when I was 20, but I was an adolescent until I was 26. Then I was in Europe, living with this fellow and he kind of helped me out. Told me some things about myself.
Interview by Roger Ebert, December 4, 1972 -
It's a big part of what we do - we test our movies extensively. I'm always there myself. It's sometimes difficult to sit through, especially if it's a version of the movie that's not working particularly well.
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It's not like you do 'SNL' and then get handed movie roles. You work, you audition for stuff and try to get it. I think, a lot of people, it's the goal to be in movies or just to be working in general. But yeah, some of us get lucky and get some movie roles, and it's nice.
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It's something that was very interesting to me to be a part of and all of them again because of the relationship. Some of the superhero movies are better than others.
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Making movies is my vacation. All the rest - the traveling about to premiers, the social life, the endless arguments with producers who don't understand me - that is the work.
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Most of us... are simply just trying to get through the day. And wait for those times in their life that are markers, that put things into relief. That's why we like movies and books so much.
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Mostly in movies an actor has to come to a mark, an X, and deliver his line - but that's so artificial, that's not how people really behave.
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Movie studios are owned by giant corporations. They care about money; they don't care about movies.
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Movies are a fad. Audiences really want to see live actors on a stage.
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Movies are one of the bad habits that corrupted our century. Of their many sins, I offer as the worst their effect on the intellectual side of the nation. It is chiefly from that viewpoint I write of them - as an eruption of trash that has lamed the American mind and retarded Americans from becoming a cultured people.
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Movies are the biggest export in the world, the biggest American export. It influences people all over the world.
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