Quotes 361 till 380 of 620.
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My goal was always to be involved in music that would outlive me. And maybe that's actually happening.
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My goal was to play drums, but my father made me take piano lessons. He told me I needed to learn to read music first, so I took lessons for six years. I thank God that he made me take those lessons, because it taught me a tremendous amount.
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My grandfather played a mandolin, so I got my hands on that. Then on down to a banjo, and I found I couldn't play any kind of soft or mournful music with that so I took up the fiddle in my late 20s or early 30s - and that was far too late. But it keeps me off the streets. It has been a love of mine since I was 17 maybe.
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My heart, which is so full to overflowing, has often been solaced and refreshed by music when sick and weary.
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My job is to be some sort of music/lyric psychic, to figure out that that's the right song to not fight the lyric.
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My mom played the recorder. But not having electricity, we had minimal exposure to music. As I got a little older, we had Walkmans and things that were battery-powered, but it would have been nice to be growing up in the iPod era. A tape only has six songs on a side.
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My mother took me to Venice one time and showed me all the houses where famous composers used to live. It gave me a fascination for music and the city, but also for architecture. It was a valuable lesson.
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My music will go on forever. Maybe it's a fool say that, but when me know facts me can say facts. My music will go on forever.
Listen to Bob Marley: The Man, the Music, the Revolution -
My songwriting and my style became more complex as I listened, learned, borrowed and stole and put my music together.
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My songwriting is so influenced by orchestrated music, dramatic, super glam rock-y stuff. Two of my biggest influences in songwriting were Elton John and Freddie Mercury.
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My studio's always in my house. I want to wake up and be like, 'You know I'm gonna make music today in my underwear. You know what, I'm gonna be in my pajamas. You know what, I'm actually just gonna stay inside for the next three days so I can make music.'
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No one had written a good long life of Schubert. He had lived long in music and short in life.
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No one person or material thing could ever come close to the feeling I get when the music is right.
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No other human being, no woman, no poem or music, book or painting can replace alcohol in its power to give man the illusion of real creation.
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No two people on earth are alike, and it's got to be that way in music or it isn't music.
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Nobody is playing music like this, like the Allman Brothers, and there's still a lot of fans out there, so that's what we're doing with Les Brers.
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Nothing is more singular about this generation than its addiction to music.
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Nothing is poorer than a truth expressed as it was thought. Committed to writing in such cases, it is not even a bad photograph. Truth wants to be startled abruptly, at one stroke, from her self-immersion, whether by uproar, music or cries for help.
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