Quotes 521 till 540 of 620.
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There's a higher place that I have no illusions about reaching. There's a sophistication and aesthetic about composers who only write only for the music's sake.
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There's a moment of recognition. It's that white-light kind of stuff that just "works." I love that. And you know it when it happens, whether it's a movie, music, a building, a book.
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There's no platform for an unsigned music scene in the main cities - it's all hyped acts or showcases behind closed doors. I read about artists that are doing it 'the old-fashioned way' and touring, as if that's a unique thing to do - well, that should just be the way it is.
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There's only two kinds of music I don't like... Country and Western.
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There's so much beautiful music in the world, and the kids are getting robbed.
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There's the Bacon society, which is fostered by his fourth wife Helen Bacon, but I don't know what kind of performances his music gets. He wrote symphonic music and some chorale music.
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This is a song about the reason we all came down here today, and that's because we (expletive) love music. This is a crowd-surfing song.
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This is show business, and there's room for the shows and the personalities. But I think there's also room for music, for people to play music, and there seems to be an audience developing that's willing to go listen to music again, rather than just be blown away by drum machines and choreography.
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This land is your land and this land is my land, sure, but the world is run by those that never listen to music anyway.
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This music is forever for me. It's the stage thing, that rush moment that you live for. It never lasts, but that's what you live for.
Time magazine 27 October 1975 -
This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.
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Those who have always had faith in its final success can do no less than rejoice as if it was our own triumph after five years of daily struggle to impose Cuban music on the European continent.
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Times were changing. Clothes were changing. Morals were changing. We went from romantic loves songs like I used to do to rock 'n roll. Now that has changed to rap. So, there's always a new generation with new music.
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Tintinnabulation is an area I sometimes wander into when I am searching for answers - in my life, my music, my work. In my dark hours, I have the certain feeling that everything outside this one thing has no meaning.
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To be able to take music and do something as profoundly original as what we did with the Allman Brothers, you've got to put some time into it.
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To be honest, I don't listen to much music! I've been so engrossed in it my whole life that when I drive around in my car, I'll listen to college lectures on philosophy and literature and world history, things like that, to kind of catch up on the college experience I missed.
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To hell with reality! I want to die in music, not in reason or in prose. People don't deserve the restraint we show by not going into delirium in front of them. To hell with them!
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To know how to suggest is the great art of teaching. To attain it we must be able to guess what will interest; we must learn to read the childish soul as we might a piece of music. Then, by simply changing the key, we keep up the attraction and vary the song.
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To me, music was about being accepted and escaping from this crummy existence.
In: Stapleton, Jim. Smashing Pumpkins (1996) -
To me, the greatest pleasure of writing is not what it's about, but the music the words make.
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