Quotes 541 till 560 of 1709.
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I'm like Jane Austen - I work on the corner of the dining table.
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I'm never the smartest guy in the room. I'm willing to work harder than most people around me, come earlier, stay later.
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I'm not an artist who has an agenda that's set by the work.
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I'm not partial to any system, but at the same time, I'm a Korean actor, so I expect to work mainly on Korean projects.
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I'm not resigning, and I'm going to try very hard to go back to work a better man and a better husband too.
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I'm not sure how to say this without making it sound corny, but I honestly feel this is the way to run a business. Our work force needs to mirror these communities, and we've got to get aggressive in recruiting and promoting minorities.
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I'm the first Icelandic director who started working on U.S. movies. There are others behind me now, but it's like when Bjork opened the door for Icelandic musicians to work abroad. We're such a closed-off country, but Bjork broke the spell. And I'm glad it was a woman who did it. She showed us we could break this barrier.
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I'm tired of hearing it said that democracy doesn't work. Of course it doesn't work. We are supposed to work it.
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I'm very happy. I like my work and the various aspects of it-going around the world, teaching the gospel according to St. Albert.
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I'm very lucky to work in so many different arenas of the entertainment industry and I do enjoy them all, but making music - original music - in the studio or live onstage is definitely my favorite thing to do.
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I've always been worried about people who are willing to work for nothing. Sometimes that's all you get from them, nothing.
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I've always had the idea that multi-millionaire rock stars should work harder than anyone because they have the ability to do it. Look at an artist like Andy Warhol. He never stopped working, even after he didn't need to work again.
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I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
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I've always loved old hot rods. I have four or five of them at home that I work on when I'm not working out.
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I've become friends with Michael Mann and Oliver Stone; I've seen those guys work and that was great to see.
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I've been asked a great deal about the influence I've had with my work and it's impossible to say, you know.
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I've been working for many years and I think I've managed to work with some of the best people in the business, which has been rewarding and an apprenticeship.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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I've discovered that Motown and Broadway have a lot in common - a family of wonderfully talented, passionate, hardworking young people, fiercely competitive but also full of love and appreciation for the work, for each other and for the people in the audience.
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I've had 36 orthopedic operations, have two fused ankles, my knees, hands and wrists don't work, I now have a fused spine, other than that, everything is great.
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