Quotes 1621 till 1640 of 1709.
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Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
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Work out your own salvation. Do not depend on others.
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Work to survive, survive by consuming, survive to consume: the hellish cycle is complete.
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Work while you have the light. You are responsible for the talent that has been entrusted to you.
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Work will win when wishy washy wishing won t.
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Work without hope draws nectar in a sieve, and hope without an object cannot live.
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Work! labor the asparagus me of life; the one great sacrament of humanity from which all other things flow - security, leisure, joy, art, literature, even divinity itself.
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Writing is communication, and you don't know how you're doing until you put it in front of someone else's eyes. You also learn from critiquing other writers' work.
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Writing is not like painting where you add. It is not what you put on the canvas that the reader sees. Writing is more like a sculpture where you remove, you eliminate in order to make the work visible. Even those pages you remove somehow remain.
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Yes, sometimes I think that all my writing is nothing more than the compensatory work of a frustrated painter.
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Yes, the concept that blunt-force trauma of the head causes brain damage is a generally accepted principle of medicine. That is why I was so appalled by the NFL doctors who were denying my work.
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You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
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You are much surer that you are doing good when you pay money to those who work, as the recompense of their labor, than when you give money merely in charity.
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You are never given a dream without also being given the power to make it true. You may have to work for it, however.
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You can learn a little bit from everybody, so you should be able to work a bit with everybody.
― Brad Wenstrup
American politician, <a href="/wiki/U.S._Army_Reserve" class="mw-redirect&# (1958 - ) -
You can never correct your work well until you have forgotten it.
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You can't be a casual observer of something humorous - you have to engage, you have to find it funny for the relationship between actor and audience to work.
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