Quotes 321 till 340 of 1138.
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I love New Orleans physically. I love the trees and the balmy air and the beautiful days. I have a beautiful house here.
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I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
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I often feel that my days in New York City, that I was here for five years, didn't get one job, went on a thousands of auditions and literally did not get a job on a soap, not a movie, not TV, not nothing, although I did do some commercials thank God.
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I read a lot when I'm away. I love courtroom dramas and I'm always looking for new authors.
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I really do believe in the New Jerusalem. I really do believe that we can all become better than we are. I know we can. But the price is enormous and people are not yet willing to pay it.
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I see nothing in it new and valuable. What is valuable is not new, and what is new is not valuable.
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I started as a journalist for magazines in New York City, so it was always storytelling. And moving into movies was a natural transition.
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I take what I see work. I'm a strict believer in the scientific principle of believing nothing, only taking the best evidence available at the present time, interpreting it as best you can, and leaving your mind open to the fact that new evidence will appear tomorrow.
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I think it must be very hard to be one of the new young writers who are urged to put themselves forward when it may be the last thing on earth they'd be good at.
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I think my being such a nomad let me into acting. I was always having to create a new image whenever we moved.
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I think the idea of mixing luxury and mass-market fashion is very modern - wearing head-to-toe designer has become a bit passe. It's a new era in fashion - there are no rules. It's all about the individual and personal style, wearing high-end, low-end, classic labels, and up-and-coming designers all together.
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I want to reach a new generation. That's why I am Twittering now. I have a BlackBerry, an iPhone and a Mac.
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I was a good amateur but only an average professional. I soon realized that there was a limit to how far I could rise in the music business, so I left the band and enrolled at New York University.
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I was a huge Bowie fan since I was 12 years old. That was the first 'punk' rock I got into in the Seventies. I didn't find out about a lot of the other stuff that was going on, like New York Dolls and Roxy Music, until a lot later.
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I was born on 22 March 1931 in New York, the elder child of Abraham and Fanny Richter.
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I was in a cab in New York. The cab had a sign, Please do not smoke, Christ is our unseen guest. This guy was reaching. I figure, if he could overcome being nailed to a cross, I don't think a Marlboro Light's gonna faze him that much.
Dark Poet -
I was in New York and I went to a meatball shop with my friend and there was paparazzi there and I thought, 'How did you know that someone was gonna come to this meatball shop?' But I was pregnant and I wanted a meatball sub and let me tell you, it was delicious.
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I was never one to patiently pick up broken fragments and glue them together again and tell myself that the mended whole was as good as new. What is broken is broken - and I'd rather remember it as it was at its best than mend it and see the broken places as long as I lived.
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I was there during the first elections in South Africa. I watched them take down the apartheid flag and raise the new flag.
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I went to an ordinary school in New York City with no other actors. I learned to compartmentalise different parts of my life. I was one person at home and then another person at work and for that reason my career didn't challenge my family life.
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