Quotes 3661 till 3680 of 10786.
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I've come to realize that life is not a musical comedy, it's a Greek tragedy.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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I've found in the past that the more closely I identify with the heroine, the less completely she emerges as a person. So from the first novel I've been learning techniques to distance myself from the characters so that they are not me and I don't try to protect them in ways that aren't good for the story.
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I've got death inside me. It's just a question of whether or not I can outlive it.
White Noise (2011) 169 -
I've had other kinds of spurts, but 'growth' was not one of them.
Radio From Hell (August 24, 2005) -
I've had people ask me in interviews what it's like to have money, but that's not how it is. I have a middle-class life. I have a room in London but not a house, nor a BMW.
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I've had some threaten not to give Communion to me, even though they don't know my position, just because I'm a Democrat. I've had cardinals refuse to shake my hand because I'm a Democrat.
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I've just learned that love is a very fleeting thing, so we - then we have it; we need to hold on to it but hold on to it in a gracious fashion. Not in the smothering but more so just a covering kind of love.
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I've learned from experience that the greater part of our happiness or misery depends on our dispositions and not on our circumstances.
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I've loved thrillers and spy stories since I was a kid. It's probably not a bad rule of thumb to write the kinds of stories you love to read.
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I've made this decision not to talk to the press about anything that's gone on in my life, but just to write music about it. They can interpret it themselves.
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I've run a lot of miles over the years, some fast and some not so fast. I've won some big races and I've had some big disappointments, but I enjoy the freedom of running and the challenge of training and competition as much now as when I first started back in high school.
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I've seen fathers criticizing their sons the moment a game's over. Not my dad. It doesn't matter if I threw an interception or a Hail Mary, he always says, 'Good job, son, I'm proud of you.' Then he shakes my hand and gives me a hug. Every time.
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I've seen plays that are, objectively, total messes that move me in ways that their tidier brethren do not. That's the romantic mystery of great theater. Translating this ineffability into printable prose is a challenge that can never be fully met.
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I've toured the U.S. every single year and I've put a record out every single year whether it was on a major label or not; that doesn't make any difference to me.
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I've tried to reduce profanity but I reduced so much profanity when writing the book that I'm afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.
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I, not events, have the power to make me happy or unhappy today. I can choose which it shall be. Yesterday is dead, tomorrow hasn't arrived yet. I have just one day, today, and I'm going to be happy in it.
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I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naive or innocent, who has the courage to treat me like a woman.
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I... chose my wife as she did her wedding-gown, not for a fine glossy surface, but such qualities as would wear well.
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I... was not too happy to suddenly take on this public role thrust upon me. They just assumed I was the Joan of Arc of the women's movement. And I wasn't at all. It put a lot of unnecessary pressure on me.
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