Quotes 561 till 580 of 10439.
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'50/50' is a comedy. I shouldn't say it's a buddy comedy because it's not farcical, and it's based on a true story, but it's viewing that experience through a very truthful lens of humour.
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'A Streetcar Named Desire' is one of the best, if not the best, modern American plays. It deals with family dynamics, mental health, PTSD, war, and love. It's hard to beat.
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'Are the gods not just?'
'Oh no, child. What would become of us if they were?'Source: Till We Have Faces: A Myth Retold (1956) Orual & The Fox -
'Damages' was cool. It brought me back to New York for a little while, so that was a lot of fun, and I was obviously very excited about the opportunity to work with Rose Byrne and Glenn Close. I'd been a fan of that show before I started working on it.
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'Gorilla Man' is a composite of a few individuals, but the song itself was actually inspired by James Taylor. I spied his 'Gorilla' album laying on my floor and in some altered state, instantly started singing the chorus. It was fun to write. There's an old notebook with at least three more verses in it somewhere.
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'In Praise of Slowness' chronicles the global trend towards deceleration that has come to be known as the Slow Movement. Don't worry, though: it is not a Luddite rant. I love speed. Going fast can be fun, liberating and productive. The problem is that our hunger for speed, for cramming more and more into less and less time, has gone too far.
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'm so fortunate to have done what I love to do for so long, but the day I retired was one of the best days of my life. Not because I was happy to get away from the sport, but because it was clear in my mind that I had done all I possibly could, and that it was time to go.
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'Returnless risk' is not how you prepare for a decent retirement.
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'Somebody That I Used to Know' by Goyte has an odd, '80s vibe to it, but that does not mean that I did not like it. Quite the opposite actually. The song is different, and slowly lured me in. The video is just as strange, but definitely enjoyable.
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'Suffering should not make us bitter people,' my mother once said, 'it should make us better comforters.' Young people need to hear this from those who have walked before them, because someday they'll be walking those same steps, but there may not be anyone following behind.
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'Therefore' is a word the poet must not know.
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'Tis God gives skill, but not without men's hand: He could not make Antonio Stradivarius's violins without Antonio.
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'Tis not in mortals to command success, but we'll do more, Sempronius, we'll deserve it.
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'Tis not need we know our every thought or see the work shop where each mask is wrought wherefrom we view the world of box and pit, careless of wear, just so the mask shall fit and serve our jape's turn for a night or two.
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'Tis not seasonable to call a man traitor, that has an army at his heels.
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'Tis not the dying for a faith that's so hard... 'Tis the living up to it that's difficult.
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'Tis not what man does which exalts him, but what man Would do!
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