Quotes 4121 till 4140 of 12035.
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I'm usually working on my own mythology, my own realm of created characters. Stories in mythology inspire me, though I may not be conscious of it.
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I'm very hopeful that I'm not the only one who's willing to pick up the baton of freedom, because freedom is not free, and we must fight for it every day. Every one of us must fight for it, because we're fighting for our children and the next generation.
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I'm very much interested in music specifically and wanted to make a film about it, but not in an atmosphere of censorship.
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I've always been pleased with the investments I've made with my friend Albert Frere and I regret not having followed him more, because I would have been a lot richer.
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I've always believed you can get closer to the truth by pretending not to speak it.
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I've always had a soft spot for Phil Collins. He's a great vocalist.
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I've always had that attitude about my career: it's something that I do, but it's not my whole life. I have a real life, a personal life: I've got a lot of chickens, I've got a horse, I've got a kitty-cat, I've got a lot of goats, I've got animals all over the place.
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I've always loved old hot rods. I have four or five of them at home that I work on when I'm not working out.
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I've become friends with Michael Mann and Oliver Stone; I've seen those guys work and that was great to see.
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I've been asked a great deal about the influence I've had with my work and it's impossible to say, you know.
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I've been in and out of Wall Street since 1949, and I've never seen the type of animosity between government and Wall Street. And I'm not sure where it comes from, but I suspect it's got to do with a general schism in this society which is really becoming ever more destructive.
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I've been married twice. Most women would rather not be married to a traveling blues singer.
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I've been singing about love a long time now, because my kind of love carries a different flavor. My lyrics are not so outrageous as some. You have to think about a lot of different things. You get more mature with what you do - more experience, more capable, you know, the older you get.
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I've come to realize that life is not a musical comedy, it's a Greek tragedy.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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I've found in the past that the more closely I identify with the heroine, the less completely she emerges as a person. So from the first novel I've been learning techniques to distance myself from the characters so that they are not me and I don't try to protect them in ways that aren't good for the story.
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I've got a great ambition to die of exhaustion rather than boredom.
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I've got a great team of engineers behind this race car. I've got a great bunch of mechanics that make it reliable. This car is developed to go out there and be better than the Reynard, and I feel that it is.
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