Quotes 3821 till 3840 of 11281.
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I've been on what I call my UFO Tour, which means, like UFOs, I too have been appearing in small southern towns in front of a handful of hillbillies lately. I've been doubting my own existence.
Flying Saucer Tour Vol. I -
I've been singing about love a long time now, because my kind of love carries a different flavor. My lyrics are not so outrageous as some. You have to think about a lot of different things. You get more mature with what you do - more experience, more capable, you know, the older you get.
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I've come to realize that life is not a musical comedy, it's a Greek tragedy.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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I've found in the past that the more closely I identify with the heroine, the less completely she emerges as a person. So from the first novel I've been learning techniques to distance myself from the characters so that they are not me and I don't try to protect them in ways that aren't good for the story.
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I've got death inside me. It's just a question of whether or not I can outlive it.
White Noise (2011) 169 -
I've had other kinds of spurts, but 'growth' was not one of them.
Radio From Hell (August 24, 2005) -
I've had people ask me in interviews what it's like to have money, but that's not how it is. I have a middle-class life. I have a room in London but not a house, nor a BMW.
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I've had some threaten not to give Communion to me, even though they don't know my position, just because I'm a Democrat. I've had cardinals refuse to shake my hand because I'm a Democrat.
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I've just learned that love is a very fleeting thing, so we - then we have it; we need to hold on to it but hold on to it in a gracious fashion. Not in the smothering but more so just a covering kind of love.
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I've learned from experience that the greater part of our happiness or misery depends on our dispositions and not on our circumstances.
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I've loved thrillers and spy stories since I was a kid. It's probably not a bad rule of thumb to write the kinds of stories you love to read.
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I've made this decision not to talk to the press about anything that's gone on in my life, but just to write music about it. They can interpret it themselves.
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I've never had a very quiet voice. I tried in choir to make it smaller, and it just didn't work out. And I listened to a lot of soul music when I was growing up on my own accord. But I was mostly into Mama Cass and Gladys Knight, and they all had big voices too; just different than mine.
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I've run a lot of miles over the years, some fast and some not so fast. I've won some big races and I've had some big disappointments, but I enjoy the freedom of running and the challenge of training and competition as much now as when I first started back in high school.
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I've seen fathers criticizing their sons the moment a game's over. Not my dad. It doesn't matter if I threw an interception or a Hail Mary, he always says, 'Good job, son, I'm proud of you.' Then he shakes my hand and gives me a hug. Every time.
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I've seen plays that are, objectively, total messes that move me in ways that their tidier brethren do not. That's the romantic mystery of great theater. Translating this ineffability into printable prose is a challenge that can never be fully met.
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I've seen too much in life to give up.
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I've toured the U.S. every single year and I've put a record out every single year whether it was on a major label or not; that doesn't make any difference to me.
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I've tried to reduce profanity but I reduced so much profanity when writing the book that I'm afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.
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