Quotes 281 till 300 of 684.
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It is my art. I am better at it than I ever was. And I will do it as long as I can. When you reach a certain age you can slough off what is unnecessary and concentrate on what is. And why not?
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It is our relation to circumstances that determine their influence over us. The same wind that blows one ship into port may blow another off shore.
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It is with trifles and when he is off guard that a man best reveals his character.
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It isn't the oceans which cut us off from the world - it's the American way of looking at things.
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It provokes the desire but it takes away the performance. Therefore much drink may be said to be an equivocator with lechery: it makes him and it mars him; it sets him on and it takes him off.
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It seems that everyone has their own inexplicable fear to have nightmares about. We need nightmares to keep ourselves entertained, and fend off the contentment that we all fear and abhor so much.
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It takes the pressure off of your better players to know they don't always have to be on top of their game for the team to do well.
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It was impossible to determine what he was saying, but I imagined he was telling all those present that they were nongs and maggots. I decided I quite liked watching the news with the sound off.
In a Sunburned Country (US) / Down Under (UK) (2000) -
It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you've made, and there's this panic because you don't know yet the scale of disaster you've left yourself open to.
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It was so weird that I would end up directing 'The Greatest Game Ever Played,' because, y'know, I'm not a big golfer myself. But I grew up around the game. My mom and dad kind of built their dream house off the 11th fairway of Shady Oaks Country Club in Fort Worth.
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It was strange being an adolescent fantasy for other people. I was so cut off from the real world. I went straight into the movies as a teenybopper, and had a very protracted adolescence myself. I was divorced when I was 20, but I was an adolescent until I was 26. Then I was in Europe, living with this fellow and he kind of helped me out. Told me some things about myself.
Interview by Roger Ebert, December 4, 1972 -
It's a funny thing: people often ask how I discipline myself to write. I can't begin to understand the question. For me, the discipline is turning off the computer and leaving my desk to do something else.
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It's a great mistake, I think, to put children off with falsehoods and nonsense, when their growing powers of observation and discrimination excite in them a desire to know about things.
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It's about never giving up until your hand is on the wall. I think people who get complacent, who think that they are in front, a sloppy touch, can cost you that elusive medal, just as much as the people who are gunning for you. If you believe you can get there right to the very end, miracles do happen.
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It's been three years since I last performed here so I'm dying to tear the roof off Wembley Arena with some old school joints and brand new bangers. When I'm done, you're gonna remember it for a long time to come.
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It's hard to practice compassion when we're struggling with our authenticity or when our own worthiness is off-balance.
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It's important for people to talk and get beyond the wall of Facebook and social media.
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It's just a ride and we can change it any time we want. It's only a choice. No effort, no work, no job, no savings and money, a choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your door, buy guns, close yourself off. The eyes of love instead see all of us as one.
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It's like I was always not quite sure even how to move in space somehow; I would watch people and then copy them. I found it really hard to walk straight. My brother was always on at me for walking off the pavement. I guess I always expected people to bring me back into line.
All off-the-wall famous quotes and sayings you will always find on greatest-quotations.com (page 15)
