Quotes 1981 till 2000 of 5943.
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In America, anybody can be president. That's one of the risks you take.
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In America, the photographer is not simply the person who records the past, but the one who invents it.
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In answer to the question of why it happened, I offer the modest proposal that our Universe is simply one of those things which happen from time to time.
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In any business that grows big on one business model, transitions can throw everything in the air.
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In Arkansas alone, approximately three quarters of a million people are at risk of going hungry, and one in four children does not get enough to eat, so my goal is to bring awareness to this tragic issue.
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In art, one idea is as good as another. If one takes the idea of trembling, for instance, all of a sudden most art starts to tremble. Michelangelo starts to tremble. El Greco starts to tremble. All the Impressionists start to tremble.
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In art, the only one who really knows whether what you've done is honest is the artist.
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In big science, the role of the individual scientist must be carefully preserved. So is the one of original ideas and of contributions.
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In Britain, what we've done is say to 485 million people, 'You can all come, every one of you. You're unemployed? You've got a criminal record? Please come. You've got 19 children? Please come.' We've lost any sense of perspective on this.
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In cities no one is quiet but many are lonely; in the country, people are quiet but few are lonely.
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In dancing with the enemy one follows his steps even if counting under one's breath.
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In dealing with Englishmen you can be sure of one thing only, that the logical solution will not be adopted.
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In default of inexhaustible happiness, eternal suffering would at least give us a destiny. But we do not even have that consolation, and our worst agonies come to an end one day.
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In each individual the spirit is made flesh, in each one the whole of creation suffers, in each one a Savior is crucified.
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In each of us, two natures are at war – the good and the evil. All our lives the fight goes on between them, and one of them must conquer. But in our own hands lies the power to choose – what we want most to be we are.
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In endowing us with memory, nature has revealed to us a truth utterly unimaginable to the unreflective creation, the truth of immortality. The most ideal human passion is love, which is also the most absolute and animal and one of the most ephemeral.
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In every age 'the good old days' were a myth. No one ever thought they were good at the time. For every age has consisted of crises that seemed intolerable to the people who lived through them.
Once around the sun (1951) -
In every great time there is some one idea at work which is more powerful than any other, and which shapes the events of the time and determines their ultimate issues.
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In every question and every remark tossed back and forth between lovers who have not played out the last fugue, there is one question and it is this: ''Is there someone new?''
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In every veil you see, the Divine Beauty is concealed, making every heart a slave to him. In love to him the heart finds its life; in desire for him the soul finds its happiness. The heart which loves a fair one here, though it knows it not, is really his lover.
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