Quotes 5641 till 5660 of 5906.
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Women are actually superb at math; they just happen to engage in their own variety of it, an intricate personal math in which desires are split off from one another, weighed, balance, traded, assessed.
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Women are considered deep - why? Because one can never discover any bottom to them. Women are not even shallow.
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Women are like elephants. I like to look at 'em, but I wouldn't want to own one.
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Women do two thirds of the world's work. Yet they earn only one tenth of the world's income and own less than one percent of the world's property. They are among the poorest of the world's poor.
The Conable years at the World Bank: major policy addresses of Barber B. Conable, 1986-91 -
Women may be the one group that grows more radical with age.
Outrageous Acts and Everyday Rebellions (2012) 326 -
Women would be disproportionately affected by the privatization of social security. It is one of the most important safety nets for American women in old age, or in times of disability, to insure financial income for their families.
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Women's Liberation is just a lot of foolishness. It's the men who are discriminated against. They can't bear children. And no one's likely to do anything about that.
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Wonder if there is life on another planet? Let's suppose there is. Suppose further, that only one star in a trillion has a planet that could support life. If that were the case, then there would be at least 100 million planets that harbored life.
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Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.
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Words, words, words! They shut one off from the universe. Three quarters of the time one's never in contact with things, only with the beastly words that stand for them.
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Work is the order of the day, just as it was at one time, with our first starts and our best efforts. Do you remember? Therein lies its delight. It brings back the forgotten; one's stores of energy, seemingly exhausted, come back to life.
As quoted in The New York Times (1 January 1978) -
Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
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Work! labor the asparagus me of life; the one great sacrament of humanity from which all other things flow - security, leisure, joy, art, literature, even divinity itself.
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Working with the children on 'Matilda' has been a joy. They don't do this professionally - their sense of discovery is instinctive, and the challenge for us adults is to keep that going in ourselves when we're doing it for the fiftieth or the hundredth time. To my delight and amazement, it hasn't gone stale - we discover it freshly every time.
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Would it be possible to stand still on one spot more majestically - while simulating a triumphant march forward - than it is done by the two English Houses of Parliament?
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Would you not like to try all sorts of lives - one is so very small - but that is the satisfaction of writing - one can impersonate so many people.
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Write the book you want to read, the one you cannot find.
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Writing is a question of finding a certain rhythm. I compare it to the rhythms of jazz. Much of the time life is a sort of rhythmic progression of three characters. If one tells oneself that life is like that, one feels it less arbitrary.
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Writing is like getting married. One should never commit oneself until one is amazed at one's luck.
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Writing is so wrapped up in ego, but with math one is just trying to get it right, although you're often wrong. I think math helped me become a good critic of myself, come at writing a little less personally.
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