Quotes 701 till 720 of 5952.
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As a matter of fact, you know, Jesus probably would be, except for one or two issues, a liberal Democrat if he were around today.
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As a painter today you have to work without that essential platform. But if one does not deceive oneself and accepts this lack of certainty, other things may come into play.
Bridget Riley: dialogues on art -
As a poet there is only one political duty, and that is to defend one's language against corruption. When it is corrupted, people lose faith in what they hear and this leads to violence.
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As a producer, I think one of the most important decisions you make is not necessarily the material you are working on but the production apparatus that you choose to develop the project with, and that determines what funding you go to, it determines many factors.
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As a rule the person found out in a betrayal of love holds, all the same, the superior position of the two. It is the betrayed one who is humiliated.
Loves Shadow (1908) Ch. xxxix -
As a thinker and planner the ant is the equal of any savage race of men; as a self-educated specialist in several arts she is the superior of any savage race of men; and in one or two high mental qualities she is above the reach of any man, savage or civilized!
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As an actor, I endeavor to find the reason in the unreasonable. Because no one thinks they are being unreasonable or unrealistic or demanding or behaving madly. We all see ourselves as being justified.
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As an actor, you really want to respect and honor the script. You want to try to be in the moment and you also realize that you're one part of a bigger picture and when they call action, you have your dance.
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As an actress, one of the perks is having access to ridiculously expensive clothing and prancing around on the red carpet. Who wouldn't want to have fun with that?
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As an eagle, weary after soaring in the sky, folds its wings and flies down to rest in its nest, so does the shining Self enter the state of dreamless sleep, where one is freed from all desires.
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As animation directors, you're the first one on the film; you're the last one off, and you get to learn from and touch every department throughout the whole journey. I don't know any other job in the world that's like that. I don't think live-action is like that. It's a very different sort of experience.
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As anyone who has the slightest knowledge of my work knows, I have little in common with Larkin, who was tall, taciturn and thin-on-top, and unlike him I laugh, nay, sneer, in the face of death. I will concede one point: we are both lesbian poets.
Interviewed in The Guardian, August 31, 2002. [1] -
As Cuvier could correctly describe a whole animal by the contemplation of a single bone, so the observer who has thoroughly understood one link in a series of incidents should be able to accurately state all the other ones, both before and after.
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As far as I know, you only get one shot at this life. It only goes round once and time is precious. When I'm not working, you'd better spend that time with someone important.
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As favor and riches forsake a man, we discover in him the foolishness they concealed, and which no one perceived before.
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As for an authentic villain, the real thing, the absolute, the artist, one rarely meets him even once in a lifetime. The ordinary bad hat is always in part a decent fellow.
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As for charity, it is a matter in which the immediate effect on the persons directly concerned, and the ultimate consequence to the general good, are apt to be at complete war with one another.
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As for death one gets used to it, even if it's only other people's death you get used to.
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As for my band, well, my mentors were Duke Ellington, Benny Goodman, Jimmie Lunceford, and no one had a band more smartly dressed than Duke.
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As life runs on, the road grows strange with faces new - and near the end. The milestones into headstones change, Neath every one a friend.
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