Quotes 2201 till 2220 of 7742.
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I think, ultimately, the story of Rooster Teeth is going to be one of longevity.
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I told the students that we can exert pressure without resorting to violence, and that we can move towards democracy without violence; that way, God will allow it.
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I too must attempt a way by which I can raise myself above the ground, and soar triumphant through the lips of men.
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I try not to obsess about recording. I'm definitely the one who will leave all the mistakes-to have that balance between what's undone and done. I try to move on to the next thing. I have friends who have been working on the same song for five, six years. They just won't let the songs go.
Rolling Stone magazine, 1996 -
I try to trace the connection between the characters and that way a story or plot emerges.
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I vividly remember the stories my grandfather told me about the carnage of the First World War, which people tend to forget was one of the worst massacres in human history.
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I wanna change the game in way where I'm not knocking nobody out of the way, not claiming to be the best at this or that, but just doing wonders with the gift I've been given.
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I want the reader to feel something is astonishing. Not the 'what happens,' but the way everything happens. These long short story fictions do that best, for me.
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I want to be a good example for my son. That's the best way to parent - to be the example of what you want to see in them. That's definitely how my parents parented and how my grandparents parented. And it works.
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I want to say to you that there is life and dreams and surprises after 30-and 40, and 50, and 60, and 77! Believe me, life is one long surprise.
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I want to travel around the country and make my living playing music. I also try to behave in a way that I would appreciate as a music fan. That's how we conduct ourselves, be it in writing music or playing it live.
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I wanted revenge; I wanted to dance on the graves of a few people who made me unhappy. It's a pretty infantile way to go through life - I'll show them - but I've done it, and I've got more than I ever dreamed of.
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I wanted to be a teacher, but I was a lousy student, one of the slowest readers. It was a tremendous struggle. But I'm lucky I had some teachers who saw something in me.
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I wanted to make something that reminded people of the way albums used to feel. I wanted something as good as the stuff put out by the Bomb Squad, or Dr. Dre and his production crew, or 'A Tribe Called Quest.' I miss albums like those.
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I wanted to make sure that the environment of the shooting itself was not that controlled, and the way to go about that course was to work with as small a crew as possible.
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I was a true wrestler. I was a Division I national champion. I came into the business wanting one thing and one thing only, and that was to be the champion, and I wasn't going to let anybody stand in my way. I think there was one guy that had a problem with that, and that was Undertaker.
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I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along.
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I was an only child. I lost both my parents. By the time I was twenty I was bald. I'm homosexual. In the way of circumstances and background to transcend I had everything an artist could possibly want. It was practically a blueprint. I was programmed to be a novelist or a playwright. But I'm not.
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I was an undergraduate at Princeton, and I was pressed by the math department to go on to graduate school. Actually they gave me fellowships that paid my way, otherwise I would not have been able to continue.
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