Quotes 2421 till 2440 of 2680.
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When I got to 'Saturday Night Live,' it was a lot like going from pre-school to Harvard, and it took a long time to figure stuff out.
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When I got to New York, I had no place to sleep. The pay from 'Sesame Street' wasn't enough to rent an apartment. I was staying on people's couches. I stayed in the dressing room until they found out. I stayed with Jim Henson and his family for a week, and I wanted to do that permanently. I didn't dare ask, though.
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When I grew up, there was still black and white TV. I was told to never get out of bed once you're put to bed. I'd sneak down the hallway, try to avoid the creaking floor boards and go in and watch the 'Midnight Movie.'
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When I hit New York in 1972, I thought I was a sprinter. I thought that I would star in a Broadway show and do a movie and win an Oscar by the time I was 25. It turned out that I'm a long distance runner.
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When I moved out of my mom's house at 18 I was almost as sad to leave her sewing machine behind as anything else.
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When I see my own people going through the tough times, it's a wake-up call. I hope my influence can impact someone else's decision to get out here and vote.
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When I started acting, there were parts in English that I thought I just had to try it out and go to another country. I did a film in Ireland. It was my first film abroad.
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When I started doing music full time, I figured out my job wasn't something I needed to be completely sober for.
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When I started Go Daddy, I tried many things - like building networks and selling education - and none of it panned out. I lost millions of dollars the first couple of years. I made a lot of wrong turns, but that's the process of being successful in business.
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When I started out in 1960, I thought it might possibly last a couple of years. I never expected it to last 42. I take great satisfaction in that longevity.
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When I started out, even though you had your rhythm section, they were big horn sections, strings, live people laying on every part of the floor in the studio waiting for their chance to get on that one little track.
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When I started out, everyone seemed to be adopting these names... Johnny Rotten, Sid Vicious. I wasn't really Rotten or Vicious or Nasty, so I wanted something a bit more funny - yet something that seemed real rock 'n' roll... something that acknowledged my ambition.
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When I started out, I was definitely writing about experiences that I hadn't had yet. The songs were just based on my influences, songwriters that had written songs before me and that were more experienced and 20, 30 years older than me.
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When I think of a story, somehow it just always seems to come out involving spooks and spies and government skullduggery.
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When I wake up every morning, I smile and say, 'Thank you.' Because out of my window I can see the mountains, then go hiking with my dog and share her bounding joy in the world.
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When I was 13, Eddie Murphy was to me what Chris Tucker was to 13-year-olds when I made 'Rush Hour.' And 'Rush Hour' really came out of the fact that I grew up watching 'Beverly Hills Cop' and '48 Hrs.'
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When I was 18, I left Dublin and moved to Paris. I didn't speak French. I didn't know anyone. I felt like a fish out of water.
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When I was a congressman, I had occasion to talk to this group of students who were taking their seat. There were about 80 of them and I asked them, 'How many of you will be serving in the country once you graduate?' And, out of the 80, there were two that raised their hands. The rest were thinking of leaving.
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When I was a kid, we sat around the house. If I got bored, I'd have to figure out something to do.
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When I was a little girl, I wanted to be a civil engineer. No joke. I would come home from school and build bridges out of toothpicks and see how much weight they would hold before falling.
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