Quotes 4821 till 4840 of 11114.
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It's important to remember that, first and foremost, if not only, this is entertainment. 'The West Wing' isn't meant to be good for you.
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It's important to travel and move and have a continual set of experiences so you've got more to feed back into your work. For me, it's a natural thing.
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It's impossible to change the social without changing the personal - you have to put your money where your mouth is. And if you're not making those challenges at home, it's unlikely you'll make them in a larger setting.
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It's in the act of having to do things that you don't want to that you learn something about moving past the self. Past the ego.
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It's interesting because you feel on the one hand, we understand people from what the say, and in another sense, you'd think that you'd be able to convey more through dialogue.
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It's interesting going between small parts and then bigger roles where you carry the film. If the writing is good, and if the people involved have integrity, then you'll do it, even if it's only five minutes on screen.
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It's interesting when people make comments about celebrities' weight gain or lack of weight gain as if they're a medical professional that's treating that celebrity. Like, 'This doctor does not treat Jessica Simpson, but thinks her weight is unhealthy.' If you don't treat her, then how do you know?
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It's ironic that when you go through a tragedy, you appreciate more. You realize how fragile life is and that there are so many things to still be thankful for.
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It's just a ride and we can change it any time we want. It's only a choice. No effort, no work, no job, no savings and money, a choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your door, buy guns, close yourself off. The eyes of love instead see all of us as one.
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It's like a jigsaw, there's a piece of the puzzle at the beginning and it's the only one and of course it had a lot to do with the way you look. And then you have to have the time to add pieces of the jigsaw.
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It's like a kitchen, acting. Put a chef in a kitchen and they will have different recipes. Whatever your recipe, what works for you won't work for another.
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It's like driving a car at night. You never see further than your headlights, but you can make the whole trip that way.
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It's like whether you're in a huge movie or you've just recorded an incredible album you've got to do the next thing, and that's part of being an artist.
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It's like you asked me about the depression thing: you grope towards an understanding of whatever it is your going through, and it's not personal, there are forces in play around you, and you seek to understand them and that way you can go on.
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It's like, how do you continue to make records that are representative of who you are that your fans will recognize as your band, while still trying to push things forward and present new sounds for people.
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It's much easier to be successful than it is to be relevant. The tricks won't keep you relevant. Tricks might keep you popular for a while, but in all honesty, I don't know how U2 will stay relevant. I know we've got a future. I know we can fill stadiums. And yet with every record, I think, 'Is this it? Are we still relevant?'
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It's my belief that history is a wheel. 'Inconstancy is my very essence,' says the wheel. Rise up on my spokes if you like but don't complain when you're cast back down into the depths. Good time pass away, but then so do the bad. Mutability is our tragedy, but it's also our hope. The worst of time, like the best, are always passing away.
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It's necessary to track characters all the way through an opera. If you're dealing with more than one or two characters, it's very easy to forget that the others have lives of their own that feed into the story.
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It's never pleasant to have one's unquestioning beliefs put in their historical context, as I know from experience, I can assure you.
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It's never safe to be nostalgic about something until you're absolutely certain there's no chance of its coming back.
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