Quotes 2021 till 2040 of 5261.
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It was never the fame or fortune that drove me to act. It was something I love and enjoy doing it. A lot of people identify who they are by what they do and that's not me. It's what I do but not who I am. Who I am is a parent. I'm a family man.
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It was only when I realized how actors have the power to move people that I decided to pursue acting as a career.
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It was possible to feel superior to other people and feel like a misfit at the same time.
Middlesex (2003) 106 -
It was quite a ride and very conflicting for me, too - to be nominated for an Oscar, to be straight and healthy, and to be getting all these accolades while these people around me were suffering and dying from AIDS.
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It was strange being an adolescent fantasy for other people. I was so cut off from the real world. I went straight into the movies as a teenybopper, and had a very protracted adolescence myself. I was divorced when I was 20, but I was an adolescent until I was 26. Then I was in Europe, living with this fellow and he kind of helped me out. Told me some things about myself.
Interview by Roger Ebert, December 4, 1972 -
It was very much a cry for democratic control at that time. Above all, breaking the accomplished power of a few people to rule the lives of everybody else.
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It wasn't long before people discovered the final horrors of letting an urchin into Parliament.
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It wasn't the Harry Belafontes and the greats from Hollywood that made the march. What made the march was that black people voted that day with their feet.
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It wasn't until I started to read short stories - by people like Alice Munro, Mavis Gallant, John Updike... Eudora Welty - that I became excited about the possibilities of writing.
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It will never be Hollywood, the same way people think it should be. I think it will grow and it will be healthy and it will expand into more than one production house.
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It would no doubt be very sentimental to argue - but I would argue it nevertheless - that the peculiar combination of joy and sadness in bell music - both of clock chimes, and of change-ringing - is very typical of England. It is of a piece with the irony in which English people habitually address one another.
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It's 103 comedians, or however many it is, and how would everyone tell it. It's enough people of substance that it makes you think of the people who aren't there that are alive.
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It's a funny thing: people often ask how I discipline myself to write. I can't begin to understand the question. For me, the discipline is turning off the computer and leaving my desk to do something else.
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It's a kind of spiritual snobbery that makes people think they can be happy without money.
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It's a lot of fun to just say to people, proudly, 'I get to play the First Lady.' It's just fun to say.
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It's a rough and tumble game whenever power is involved - people's ambitions, their desires, their competitive spirit will often push them to play outside the rules. It's dramatic, it's interesting, and I think it's something we can all identify with to a degree.
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It's about never giving up until your hand is on the wall. I think people who get complacent, who think that they are in front, a sloppy touch, can cost you that elusive medal, just as much as the people who are gunning for you. If you believe you can get there right to the very end, miracles do happen.
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It's absurd to divide people into good and bad. People are either charming or tedious.
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It's almost not safe to be an artist, the way everybody is randomly picking people to feud with.
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It's always best to stay out of other people's divorces. And their civil wars.
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