Quotes 1 till 20 of 20.
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As an actor, I have casting issues. I'm a minority. I don't have trouble making a living, but as far as being on the food chain of the pecking order of actors, I'm not at the top of it. With the jobs that I do, there are always control issues with directors and producers.
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At a time when U.S. jobs are heading overseas at a record pace, and amidst increased sanctions on our manufacturers and producers from other countries, it's imperative that we do all we can to provide our businesses a climate to operate successfully.
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Directors, producers can make you look good or make you look bad.
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Engineering producers who don't play and have technology as a background may be the reason why there's a lot of cold non-musical music, for lack of a better description.
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Good acting is about being as natural and calm as possible. These days producers have such definite ideas that you have to be prepared to do whatever they ask.
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I've recorded 25 or 30 albums. I know that sometimes when you work with producers who are kinda dictators, it doesn't help you make a better record.
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If my accent betrayed my foreign birth, it also stamped me as an enemy, in the imagination of the producers.
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In the case of 'Blood Stone,' the producers, EON, Michael Wilson, Barbara Broccoli, David Wilson and Gregg Wilson, had an idea for a story and had a lot of it done. And I came in, worked with them, fleshed it out.
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It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.
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Making movies is my vacation. All the rest - the traveling about to premiers, the social life, the endless arguments with producers who don't understand me - that is the work.
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One other thing, if it's possible, as songwriters, you should also develop yourself as record producers.
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Producers are men who will keep their heads in the noisy presence of writers and directors and not be carried away by art in any of its subversive guises. Their task is to guard against the unusual. They are the trusted loyalists of cliche.
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The latest technology is not always good for anything except to the producers of the technology.
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Think of it: television producers joining with newspapers to tell stories. It's journalism of the future. Advertising will follow the crowd - the 'crowd' being viewers and readers, of course, which could bring revenue back into journalism.
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TV producers want ratings and are willing to do nearly anything to get them. They gin up artificial conflicts and create an urgency for even the most minor of economic data points.
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Web publishing can create common spaces; it all depends on how we, the readers and sometimes the producers, react to technological change. If we sort ourselves into narrow groups, common spaces will be in big trouble. But there's no reason not to have common spaces on the Internet. There are lots of them out there.
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Well, the 'Giuliana & Bill' show is a little bit different because Giuliana and I are the executive producers of the show, so certainly we have a lot of control and we have total, I guess if we wanted to, editing power, but I will say, in the seven seasons we've done the show, we've never used our executive producer powers to cut something out.
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When I played Bobby Fischer, my opponent fought against organizations - the television producers and the match organizers. But he never fought against me personally. I lost to Bobby before the match because he was already stronger than I. He won normally.
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When producers want to know what the public wants, they graph it as curves. When they want to tell the public what to get, they say it in curves.
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When you want to make a film abroad, you need producers and people who support you. You need a team that speaks your language.
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