Quotes 1 till 3 of 3.
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I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
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The question ''Who ought to be boss?'' is like as ''Who ought to be the tenor in the quartet?'' Obviously, the man who can sing tenor.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don't.
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