Quotes 1381 till 1400 of 1471.
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When you can watch something grow that you created - it's really an amazing feeling.
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When you cut human beings down to size, we're really quite simple creatures; food, shelter, warmth, light, heat and you build it up from there really until you finally go Gucci shoes or whatever it is or whatever your consumer desires are. All those desires are ultimately, they're about gratification.
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When you face your fear, most of the time you will discover that it was not really such a big threat after all. We all need some form of deeply rooted, powerful motivation - it empowers us to overcome obstacles so we can live our dreams.
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When you have really exhausted an experience you always reverence and love it.
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When you love and accept yourself, when you know who really cares about you, and when you learn from your mistakes, then you stop caring about what people who don't know you think.
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When you really don't like a guy, they're all over you, and as soon as you act like you like them, they're no longer interested.
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When you saw Jon Lovitz or Dana Carvey or Phil Hartman doing something, they were acting. It was real acting. Like, they were acting like that person. They weren't like - it wasn't even like they were really trying to go for a laugh, especially in Phil Hartman's case.
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When you start getting jobs, and see your mates from drama school, you don't really want to talk about it, because you have this innate sense of guilt that it's not fair that others aren't doing exactly what you're doing. I do have that.
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When you start out as a filmmaker, you do parodies, because you can't really compete on a studio level.
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When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not.
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When you throw punches at actors, you stop, you pull it, and it looks like you pulled it. When you throw punches at cartoon characters, they are not there, so you can swing through. It looks like you really decked them.
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When you're lucky enough to get paid a nice chunk of change to write a movie or a TV show, you have no right to complain, really. I guess it's more of an appeal to the powers that be that the less they interfere, the more likely, actually, they are to get something that works, I think.
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When you're not used to comfort and good things to eat, you're intoxicated by them in no time. Truth's only too pleased to leave you. Very little is ever needed for Truth to let go of you. And after all, you're not really very keen to keep hold of it.
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When you're on stage, you gotta do it. People pay to see you, and they deserve to be entertained, and you should go out there and really give it your best shot. And that's quite a challenge.
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When you're portraying someone that really existed, there has to be a time as an actress where you leave reality and move into the fantasy world so you can do your job of creating a character.
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Whenever I start to really think about what I'm playing, I may play it better musically, but the feeling isn't there.
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Whenever two people meet there are really six people present. There is each man as he sees himself, each man as the other person sees him, and each man as he really is.
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Where people are really attached, poverty itself is wealth.
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