Quotes 1 till 20 of 73.
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A lot of things encouraged me to start my label. I think it's very important for an artist to know how many records they've sold and where they've sold. I know that I have never been treated the way I'm supposed to be treated - like an artist. That's why I do things for myself. I feel like I'm a free man.
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'Pain' is more indicative of what I like to do. I'm lyric-conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.
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A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
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A poem records emotions and moods that lie beyond normal language, that can only be patched together and hinted at metaphorically.
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Adversity causes some men to break; others to break records.
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Age is only a number, a cipher for the records. A man can't retire his experience. He must use it. Experience achieves more with less energy and time.
On his 85th birthday. UPI News Report, August 20, 1955Bernard M. Baruch
American investor, philanthropist, statesman, and political consultant (1870 - 1965) -
And ultimately the people who produce my records, they know that they're here to serve the purpose of me expressing who I am at this period of time and augmenting that or pulling it forward and I love that process.
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Any time I need to get a serious attitude adjustment, I put on one of their records, and there are examples there for all time to keep us honest and keep us reaching; they'll never be eclipsed.
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Back when Napster first came along, I started telling everybody Napster was like shooting yourself in the foot because you're stealing music. The record companies don't pay for us to make records - the bands do.
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Before I joined The Beach Boys, I was working at Columbia Records as a producer, and saw The Byrds come in and do their first overdub before Terry even met them.
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Better the rudest work that tells a story or records a fact, than the richest without meaning.
The seven lamps of architecture -
Brooklyn is where I primarily developed. I had an opportunity to make records and perform in clubs here and there, and I started networking with the right people in the right places.
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But I'm always trying to plan ahead too and in doing so, and in working on this album, I've met a lot people that I hope to be involved with, on their records and in their situations.
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But then I go through long periods where I don't listen to things, usually when I'm working. In between the records and in between the writing I suck up books and music and movies and anything I can find.
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Every country I've had different hit records, so we have to change the set to fit the country.
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Every time you go in, it's like starting over. You don't know how you did the other records. You're learning all over. It's some weird musician amnesia, or maybe the road wipes it out.
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Federal agencies that own bridges have some of the worst records for on-time inspections. Nearly 3,000 bridges owned by U.S. government agencies went more than two years between checkups.
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Films and gramophone records, music, books and buildings show clearly how vigorously a man's life and work go on after his ''death,'' whether we feel it or not, whether we are aware of the individual names or not. There is no such thing as death according to our view!
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For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
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God and Country are an unbeatable team; they break all records for oppression and bloodshed.
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