Quotes 21 till 40 of 73.
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Growing up in Dumfries, I got no sun - I spent all my time in my room making records. When I came to America, it made me recognise the benefits of sunlight. Oh, and I also got a good haircut. I used to have a terrible haircut.
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Hey, we've all been to high school We've seen the in-crowds. Most of us have been in the outer crowds, the people who weren't in. Although I was never in, I was selling records and was very happy.
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I always turn to the sports page first, which records people's accomplishments. The front page has nothing, but man's failures.
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I am terrified at the thought that so much hideous and bad music will be put on records forever.
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I have a record company starting. It's called Flesh Records and I'm putting together music for porno movies.
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I never could get into The Chambers Brothers. They make good records, but I never could get behind it.
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I would love to sell millions of records, but that's never gonna be the case.
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I'm lyric conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.
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I'm over being a pop star. I don't wanna be a hot girl. I wanna be iconic. And I feel like I've accomplished a lot. I feel like I'm highly respected, which is more important than any award or any amount of records. And I feel like there comes a point when being a pop star is not enough.
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If I have any talent at all it's from God, and my mom, who was on Capitol Records also.
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If you don't think drugs have done good things for us, then take all of your records, tapes and CD's and burn them.
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If you listen to really deep ambient records that don't move too much, very still records, long after those records are finished, you might find yourself listening for hours to the sound of the room.
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In 'Tree of Life,' the cinematography records a small story, a celebration of the courage of everyday life. But it does it so up close and so effortlessly that it has the effect of elevating the intimacy of the story to a grand scale.
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In all the time that people have known me, has anyone ever heard me talk about the importance of rushing records or finishing with the most touchdowns? So if that's never been important to me, then why would that be a motivation to keep playing?
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In America, the photographer is not simply the person who records the past, but the one who invents it.
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In April of 1976, Epic Records was flying out to sign us when I tripped over a light case after a gig and broke my arm. We called the next morning and said, 'Don't go to the airport - Bun E. broke his arm.' They thought Mercury or someone was trying to sign us, so they offered us, like, $25,000 more on top of the deal.
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In general, the hedge funds were clobbered by the 1969 bear market, ending up in many cases with records that were worse than those put together by aggressive mutual funds denied the luxury of short sales.
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It's like, how do you continue to make records that are representative of who you are that your fans will recognize as your band, while still trying to push things forward and present new sounds for people.
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It's typical of record companies. They sign you because you're unique, and then they want to put you in a mold so they can sell records.
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Most of those takes were one take. I made those records in three minutes. I didn't have time to get nervous or scared the first time I sang it. It was all 'live' and I enjoyed it so much.
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