Quotes 3481 till 3500 of 3724.
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When you make a film like this, you must have the highest expectations of your audience. Having worked in situations where we have the lowest expectations of our audience.
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When you move to New York, especially, you feel like you need to be something.
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When you play a doctor, you have to look like you can do it but you don't actually go and do it. It's not like you learn how to cut open somebody and go do surgery. You have to think of a human being and not play the idea of what that would look like.
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When you really don't like a guy, they're all over you, and as soon as you act like you like them, they're no longer interested.
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When you saw Jon Lovitz or Dana Carvey or Phil Hartman doing something, they were acting. It was real acting. Like, they were acting like that person. They weren't like - it wasn't even like they were really trying to go for a laugh, especially in Phil Hartman's case.
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When you say things like, 'We have to wipe out the Taliban,' what does that mean? The Taliban is not a fixed number of people. The Taliban is an ideology that has sprung out of a history that, you know, America created anyway.
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When you see a good horseman, you're unable to tell where the instruction is coming from. It's like telepathy.
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When you think like a child your imagination is free and anything is possible.
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When you think of the huge uninterrupted success of a book like Don Quixote, you're bound to realize that if humankind have not yet finished being revenged, by sheer laughter, for being let down in their greatest hope, it is because that hope was cherished so long and lay so deep!
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When you throw punches at actors, you stop, you pull it, and it looks like you pulled it. When you throw punches at cartoon characters, they are not there, so you can swing through. It looks like you really decked them.
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When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
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When you're famous, you don't get to meet people because they want you to like them when the present themselves to you, and you don't see the real people.
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When you're like, 'Yo, we gotta write a hit song, we need a hit song right now,' that never works. Every time that happens, I never write a hit song.
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When you're onstage, you're acutely aware of the reaction of a particular group of people, because it's like a wave.
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When you're stretching yourself, as a role like 'Blue Jasmine' did for me, you risk falling flat on your face.
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When you're wounded and left on Afghanistan's plains, and the women come out to cut up what remains, jest roll to your rifle and blow out your brains and go to your gawd like a soldier.
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When you're writing, you're on your own, and I like to work as a team.
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When your heart speaks to you about what you need to do to sustain life on this planet, listen to it, make a difference, and be an inspiration for generations to come. Be inspired by people like Gandhi, Mother Teresa, Rosa Parks, Martin Luther King, Christopher Reeve, Albert Schweitzer, Helen Keller, and many others.
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Whenever I dwell for any length of time on my own shortcomings, they gradually begin to seem mild harmless, rather engaging little things, not at all like the staring defects in other people's characters.
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