Quotes 21 till 35 of 35.
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Obviously, if Woody Allen calls and says he wants you to read a script, of course you read it.
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Poetry is a phantom script telling how rainbows are made and why they go away.
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Poetry is the journal of the sea animal living on land, wanting to fly in the air. Poetry is a search for syllables to shoot at the barriers of the unknown and the unknowable. Poetry is a phantom script telling how rainbows are made and why they go away.
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Script for an actor is like a bible. You carry it with you, you read it over and over, you go to your passages.
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There have been times when I've been asked to do things and I've thought, 'This is great! This is a great script. But, I do not believe myself in this role.' I pretend I'm the producer and I think, 'If I was making this movie, would I cast myself in this part,' and if that doesn't feel right to me, then I don't even go audition for it.
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Tone is so important because you can have a great script just be ruined with the wrong director - if they shtick it up or something. With 'Little Miss Sunshine,' I was so concerned they weren't going to play the pageant official realistically because you don't have to wink to play those kinds of characters.
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We thought we'd write a good script for women, giving them the fun roles that generally men get.
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When an actor comes to me and wants to discuss his character, I say, 'It's in the script.' If he says, 'But what's my motivation?, ' I say, 'Your salary.'
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When he first started - Jim Henson, who created Bid Bird and Oscar - he said Big Bird was just a big, goofy guy. And it was - a script came along and I said, 'I think Big Bird would be much more useful to the show if he were a child learning all the things we were teaching in the show.' And so he didn't know the alphabet, even, for instance.
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When I approach any script, I always try to find what I would relate to most in it.
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When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?
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When I read both pilots for 'Breaking Bad' and the 'Michael J. Fox Show,' I turned to my husband in real life, and I'm like, 'That is an amazing script.'
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When I write and develop things myself, I might work for a while on a script from a book, and then I go back and read the book and go back into it to see if I lost something: is there something there?
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Why do only the Latin script when Nokia has a billion consumers? Typography is the bedrock of communication; it can really connect people.
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Your structure and format may not be perfect, and you may not have picked the perfect franchise, but if I pick up a script, and the characters are real, whole, complicated and come from a place of somebody who really is feeling it, that's what people remember.
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