Quotes 41 till 60 of 373.
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Brazil, I'm totally obsessed. I've been going since I was 17, and the first time I went, I fell in love with it.
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But all art is sensual and poetry particularly so. It is directly, that is, of the senses, and since the senses do not exist without an object for their employment all art is necessarily objective. It doesn't declaim or explain, it presents.
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But I will say that living in Ireland has changed the cadence and fullness of speech, since the Irish love words and use as many of them in a sentence as possible.
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Crying does not indicate that you are weak. Since birth, it has always been a sign that you are alive.
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Decadence is a difficult word to use since it has become little more than a term of abuse applied by critics to anything they do not yet understand.
Death in the Afternoon (1932) ch. 7 -
Ever since childhood, when I found out that the ultimate fate for all humans was death, sheer terror and morbid curiosity had been fighting for supremacy in my mind.
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Ever since I began writing my Junie B. Jones series, people have been assuming that the character is based on me when I was a little girl. The fact is, though, that Junie B. and I have very little in common.
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Ever since I could first write I have been doing so. When I was taught how to write and read at school, I made up my mind that this was what I love to do best and this was the world I was going to occupy.
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Ever since I learned about the concept of garbage collection in 6.001 at MIT in 1984 while using Scheme on HP Chipmunks, I've always thought of dreaming as the same as garbage collection for a computer.
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Ever since I was a little kid and first heard Jimmy Reed's 'Honey, Don't Let Me Go,' the blues has been in my blood.
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Ever since I was little, I really loved boyish clothes - I had a real obsession with strict clothes, like uniforms. They really got me going.
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Ever since that day when I was 11 years old, and I wasn't allowed in a photo because I wasn't wearing a tennis skirt, I knew that I wanted to change the sport.
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Ever since the movie premiered at Cannes, I've had a sudden surge of scripts and interest.
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Every act you have ever performed since the day you were born was performed because you wanted something.
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Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn't changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.
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Every major federal campaign-finance-reform effort since 1943 has attempted to treat corporations and unions equally. If a limit applied to corporations, it applied to unions; if unions could form PACs, corporations could too; and so on. DISCLOSE is the first major campaign-finance bill that has not taken this approach.
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Every successful organization has to make the transition from a world defined primarily by repetition to one primarily defined by change. This is the biggest transformation in the structure of how humans work together since the Agricultural Revolution.
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Everything has been said before, but since nobody listens we have to keep going back and beginning all over again.
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Everything has been said yet few have taken advantage of it. Since all our knowledge is essentially banal, it can only be of value to minds that are not.
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