Quotes 1981 till 2000 of 26101.
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Acting is playing - it's actually going out on a playground with the other kids and being in the game, and I need that. Writing satisfies that part of myself that longs to sit in my room and dream.
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Acting is something different to everybody. I just know that if you watch an actor or actress getting better and better, I think that's them just understanding themselves better and better.
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Acting is the most minor of gifts and not a very high-class way to earn a living. After all, Shirley Temple could do it at the age of four.
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Acting provides the fulfillment of never being fulfilled. You're never as good as you'd like to be. So there's always something to hope for.
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Acting school was summer camp, and I needed concentration camp. I had so many different ideas swirling between culture and how to tie things together.
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Acting, I started when I was six and a half years-old, on Broadway with Kurt Weill.
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Action and reaction, ebb and flow, trial and error, change - this is the rhythm of living. Out of our over-confidence, fear; out of our fear, clearer vision, fresh hope. And out of hope, progress.
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Action fiction is driven more by what than by who. Put that ticking nuclear suitcase under Manhattan, and it's relatively easy to create suspense. Literary fiction is driven more by who than by what.
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Action hangs, as it were, ''dissolved'' in speech, in thoughts whereof speech is the shadow; and precipitates itself therefrom. The kind of speech in a man betokens the kind of action you will get from him.
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Action in war is like movement in a resistant element. Just as the simplest and most natural of movements, walking, cannot easily be performed in water, so in war it is difficult for normal efforts to achieve even moderate results.
On War (1832) Ch. 7, as translated by Michael Howard and Peter P -
Action is at bottom a swinging and flailing of the arms to regain one's balance and keep afloat.
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Action is consolatory. It is the enemy of thought and the friend of flattering illusions.
Nostromo -
Action is greater than writing. A good man is a nobler object of contemplation than a great author. There are but two things worth living for: to do what is worthy of being written; and to write what is worthy of being read; and the
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Action is the highest perfection and drawing forth of the utmost power, vigor, and activity of man's nature.
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Action seems to follow feeling, but really action and feeling go together; and by regulating the action, which is under the more direct control of the will, we can indirectly regulate the feeling, which is not.
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Action-adventure, that genre, only works for me if you can care about the characters. If the hero's not taking some kind of a journey, then there are no stakes - and no stakes, then you don't care if he lives or dies, wins or loses.
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Activate yourself to duty by remembering your position, who you are, and what you have obliged yourself to be.
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Actors are always nervous about not only hurting each other, but maybe perhaps hitting each other's face and ending one's career.
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Actors are loved because they are unoriginal. Actors stick to their script. The unoriginal man is loved by the mediocrity because this kind of ''artistic'' expression is something to which the merest five-eighth can climb.
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Actors ought to be larger than life. You come across quite enough ordinary, nondescript people in daily life and I don't see why you should be subjected to them on the stage too.
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