Quotes 81 till 100 of 427.
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Different people have different styles, but there is an opportunity as a director to be a writer in every moment, with every visual cue and every piece of production design. Everything is a decision, and everything can be obsessed over.
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Does not the very word 'creative' mean to build, to initiate, to give out, to act - rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life - not death.
Berenice Abbott, photographer: a modern vision : a selection of photographs and essays -
Each of my books is different from the last, each with its own characters, its own setting, its own themes. As a writer, I need the variety. I sense my readers do, too.
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Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players, and Tennessee Williams has about 5, and Samuel Beckett one - and maybe a clone of that one. I have 10 or so, and that's a lot. As you get older, you become more skillful at casting them.
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Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.
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Ethel Waters, the flaming tower of dusky regality, who knows how to make a song stand on tiptoe.
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Even if you have a big tune, live crowds can get sick of it. It's not just about the song but also the staying power and if people have connected with it in a certain way. I know that the tracks I put more emotion and depth into are the ones that have the staying power in clubs.
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Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles.
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Every good writer or filmmaker has something eating at them, right? That they can't quite get off their back . And so your job is to make your audience care about your obsessions.
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Every novel is an equal collaboration between the writer and the reader and it is the only place in the world where two strangers can meet on terms of absolute intimacy.
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Every secret of a writer's soul, every experience of his life, every quality of his mind is written large in his works.
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Every so often, if I'm in a melancholy mood, I'll sing 'Desperado' in my shows. I'll sit alone at the piano and play it as a solo. The song feels like an old friend - except now it's saying, 'You were a desperado once, but you worked your way out of it.'
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Every writer ''creates'' his own precursors. His work modifies our conception of the past, as it will modify the future.
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Every writer hopes or boldly assumes that his life is in some sense exemplary, that the particular will turn out to be universal.
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Every writer is a narcissist. This does not mean that he is vain; it only means that he is hopelessly self-absorbed.
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Everything needs to be catchy because a listener is either going to stay with the song or lose interest in the first five seconds. But people also like those songs they can relate to and say, 'Yeah, I went through that.'
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Experience is definitely the high road once driven. It actually enhances the songwriting and song sourcing process.
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Fame often makes a writer vain, but seldom makes him proud.
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Fools are my theme, let satire be my song.
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For a country to have a great writer is like having another government. That's why no régime has ever loved great writers, only minor ones.
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