Quotes 21 till 40 of 154.
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But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.
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Comedy is the one absolutely self-aware art form. Actually, hip-hop's another one, I suppose. Because in your songs you're talking about how good a hip-hop artist you are. It's like a painter painting a panting of himself painting a painting.
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Courage: Great Russian word, fit for the songs of our children's children, pure on their tongues, and free.
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Critics used to say that ABBA were formulaic or that our songs were rubbish. We never had time for those comments, though. We were sincere and devoted to what we did.
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Even when I interviewed bands, it was about asking them about writing songs, so it was more for me than anybody else.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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Everything needs to be catchy because a listener is either going to stay with the song or lose interest in the first five seconds. But people also like those songs they can relate to and say, 'Yeah, I went through that.'
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For 'Narrow Stairs', the majority of the songs I brought in were guitar songs - songs we could sit in a room and just play. I can honestly say I had more fun and felt more inspired on this record than anything that we had done in a long time.
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For 'Narrow Stairs,' the majority of the songs I brought in were guitar songs - songs we could sit in a room and just play. I can honestly say I had more fun and felt more inspired on this record than anything that we had done in a long time.
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For me, I write some songs that are really important to me, and I've got some feedback where some of them help folks and inspire people.
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Hall & Oates is one of the few musical groups as satisfying now as it was back then. There's something incredibly musically satisfying about their songs. Nothing has diminished my love for them.
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Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.
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I appreciate the additional additives and preservatives that help sell a project, but I'm sticking to what works best for me. I gotta sell the album live on stage and make people believe in the songs.
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I could name a few songs and say exactly what summer they came out and what boy I thought I was in love with when I was fourteen years old, but I think that music used to be really more a part of the culture when people went out dancing in a different way than they do now.
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I could sing you a thousand and one doo-wop songs. I love the simplicity in that music. It's not super-poetic, it's just from the heart.
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I could write six songs in one day with everything that's going on.
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I decided a handful of years ago that I just want to write songs that you can understand as soon as you put the record on. There's no need to veil what's happening in the song the way I used to.
My goal as a songwriter now is to simply write some memorable turns of phrase.The Meaning Of Life -
I did a lot of writing for a lot of different kinds of bands that I was in and out of during those five years and that left me with a little body of songs that I liked better when I played alone, so I ended up going out solo and very soon made my first album.
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I don't like doing 25 songs. I think that just kills the audience. I think the show should be 17, 18, 19 songs and encores.
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I don't really need to stand out, there's room for everyone. Although I haven't built a niche yet, I'm just writing love songs.
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