Quotes 15821 till 15840 of 25180.
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So there was a constant flow and a thin line there between reality and television and yes, much of what I was experiencing in my real life was also what was going on in the television show to the extent that I had to take writers' advice and from the counselors around.
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So there was a constant flow and a thin line there between reality and television and yes, much of what I was experiencing in my real life was also what was going on in the television show to the extent that I had to take writers' advice and from the counselors around.
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So there's kind of a simultaneous aspect to pushing the boundaries, and being very safe.
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So they put a rifle in my hand Sent me off to a foreign land To go and kill the yellow man Born in the U.S.A.
Source: Born in the U.S.A. (1984) -
So they went off together. But wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the forest a little boy and his bear will always be playing.
Source: The House at Pooh Corner (1928) -
So this is all part of a free society. People are entitled to hold whatever view they want, and the media can report things how they wish.
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So what we're talking about here is human rights. The right to live like a human. The right to live, period. And what we're facing in Africa is an unprecedented threat to human dignity and equality.
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So when I had to make a decision whether I would like to do honors degree course in Islamic studies and Malay studies too, so I thought Islamic studies would be good.
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So when I looked at pictures and produced my calendar and edited the pictures, it wasn't just about looking at myself and thinking I'm attractive. I try to take myself out of it and get into the whole process of putting it all together.
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So when I was 24, someone suggested to me that I was bipolar, and I thought that was ridiculous. I just thought he was trying to get out of treating me. But he was also responding to the chaotic nature of my life.
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So while an incredible amount of progress has been made, on this fifth anniversary, I wanted to come here and tell the people of this city directly: My administration is going to stand with you - and fight alongside you - until the job is done. Until New Orleans is all the way back, all the way.
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So with truth - there is a certain moment when one can say, this is the truth and here I put a dot, a stop, and I go to another thing. A judge has to put an end to a deliberation. But for a historian, there's never an end to the past. It can go on and on and on.
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So without an original or helpful thought in my head, I just sat for some minutes and watched these poor disconnected people shuffle past. Then I did what most white Australians do. I read my newspaper and drank my coffee and didn't see them anymore.
Source: In a Sunburned Country (US) / Down Under (UK) (2000) -
So you see, imagination needs moodling - long, inefficient, happy idling, dawdling and puttering.
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So, as you go into battle, remember your ancestors and remember your descendants.
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So, I was offered this job to come down there but first it was suggested that I take a trip around the country in the areas in which we worked to see what it's all about, and I tell you that was a revelation to me.
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So, in some ways, the political songs tend to be a bit more like reportage, whereas the love songs tend to be like novels, you can pick them up off the shelf and go into them any time.
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So, it's like: I'm an OK singer; I'm an OK guitar player and you put them together and... it's just OK.
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So, okay, I'm not a genius. Vincent Van Gogh and Albert Einstein were geniuses.
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So, when the special effects are at the service of the story and draw you into it, that is really the magic.
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