Quotes 2261 till 2280 of 2455.
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When I was in high school at Northeast Catholic in Philadelphia in the late '30s, I found that drawing caricatures of the teachers and satirizing the events in the school, then having them published in our school magazine, got me some notoriety.
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When I was research head of General Motors and wanted a problem solved, I'd place a table outside the meeting room with a sign: LEAVE SLIDE RULES HERE! If I didn't do that, I'd find some engineer reaching for his slide rule. Then he'd be on his feet saying, ''Boss you can't do that.''
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When I was very, very young, I decided that I was gonna catalogue my times because that's what other people who I admired did. That's what Bob Dylan did, that's what Frank Sinatra did, Hank Williams did, in very different ways.
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When I was young, I observed that nine out of ten things I did were failures. So I did ten times more work.
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When I was younger it was twice a day with a game on the weekend. Then when I got older, three times a day everyday in college and on the national team.
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When I write down my thoughts, they do not escape me. This action makes me remember my strength which I forget at all times. I educate myself proportionately to my captured thought. I aim only to distinguish the contradiction between my mind and nothingness.
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When I'm dead, I want to be remembered as a musician of some worth and substance.
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When I'm deciding to read a book, I never open to the first chapter, because that's been revised and worked over 88 times. I'll just turn to the middle of the book, to the middle of a chapter, and just read a random page and I'll know right away whether this is the real deal or not.
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When I'm winning, winning, winning with a certain way why would I mess with that? When I realised there was lot to be gained from failing in some people's eyes, it made it all the more interesting!
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When it comes to partnership, some humans can make their lives alone - it's possible. But creatively, it's more like painting: you can't just use the same colours in every painting. It's just not an option. You can't take the same photograph every time and live with art forms with no differences.
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When nothing seems to help, I go look at a stonecutter hammering away at his rock perhaps a hundred times without as much as a crack showing in it. Yet at the hundred and first blow it will split in two, and I know it was not that blow that did it, but all that had gone before.
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When one buys some of my artwork I hope it is because they will wish to learn from it and not because they think it will match their drapes!
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When people are nervous, some people move around. Some people scratch their leg.
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When people meet me, many times they're very surprised because they expect someone who is kind of wacky with seven piercings and very hip and cool and New York City, and I'm not.
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When some fellers decide to retire nobody knows the difference.
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When some people retire, it's going to be mighty hard to be able to tell the difference.
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When the judge calls the criminal's name out he stands up, and they are immediately linked by a strange biology that makes them both opposite and complementary. The one cannot exist without the other. Which is the sun and which is the shadow? It's well known some criminals have been great men.
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When the Somalians were merely another hungry third world people, we sent them guns. Now that they are falling down dead from starvation, we send them troops. Some may see in this a tidy metaphor for the entire relationship between north and south. But it would make a whole lot more sense nutritionally - as well as providing infinitely more vivid viewing - if the Somalians could be persuaded to eat the troops.
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When there is an original sound in the world, it makes a hundred echoes.
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When times get tough, at some point, people instinctively know they need to lighten up in order to get through it.
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