Quotes 1 till 7 of 7.
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Blues was my first love. It was the first thing where I said Oh man, this is the stuff. It just sounded so raw and honest, gut-bucket honest. From then I started rebelling.
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Bradford Dillman sounded like a distinguished, phony theatrical name, so I kept it.
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Elvis was a great guy. We'd just horse around together or go to see a movie. He drove me around Graceland in a golf cart. He was a fan of our music and was curious about how I sounded so black.
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Most of the time when people work with an artist, they don't give them what they need for the future, they give them what their last album sounded like. So it's like, 'Oh, One Republic needs a song, why don't we send them 10 that sound like 'Apologize?'
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My grandmother played the piano, and I used to toddle over there and pick out little things that sounded good to me.
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When I first started singing in Paris, I sounded horrible: I was just singing to get some money to eat. And I wasn't singing my own songs: it was Bob Dylan, Bob Marley, Jimi Hendrix. Eventually, when I wrote my own music, my style just came out of my own place.
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You're alive. Do something. The directive in life, the moral imperative was so uncomplicated. It could be expressed in single words, not complete sentences. It sounded like this: Look. Listen. Choose. Act.
A Summons to New Orleans
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