Quotes 41 till 60 of 164.
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I tend to be more of a novel writer. In fact, some of my novels started out as short stories, and I just got carried away! I think some of my best writing is in the short story form, but novels come more naturally to me.
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I think there's a great difference in consciousness in that same way in that when we're young we read books for the story, for the excitement of the story - and there comes a time when you realise that all stories are more or less the same story.
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I usually make sure that my stories are from Africa or my own background so as to highlight the cultural background at the same time as telling the story.
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I vividly remember the stories my grandfather told me about the carnage of the First World War, which people tend to forget was one of the worst massacres in human history.
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I want to present interesting stories that don't qualify themselves just by virtue of their ethnographic type.
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I want us to organize, to tell the personal stories that create empathy, which is the most revolutionary emotion.
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I'm lyric conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.
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I'm usually working on my own mythology, my own realm of created characters. Stories in mythology inspire me, though I may not be conscious of it.
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I've been reading ghost stories ever since I could read. I'm immensely curious about ghosts and UFOs and all that stuff, but I'm a very hard-headed person.
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I've just finished my next collection, Possible Side Effects, and I'm now working on a collection of holiday stories as well as a memoir about my relationship with my father.
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I've loved thrillers and spy stories since I was a kid. It's probably not a bad rule of thumb to write the kinds of stories you love to read.
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If history were taught in the form of stories, it would never be forgotten.
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If you could have a book called My Favorite Six Stories, I don't think I'd have trouble doing that.
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If you tell stories you love, you will never tell them with indifference - take it to the bank.
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If you want to tell the untold stories, if you want to give voice to the voiceless, you've got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you're dumb and blind.
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In every age poets and social reformers have tried to stimulate the people of their own time to a nobler life by enchanting stories of the virtues of the heroes of old.
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In every age poets and social reformers have tried to stimulate the people of their own time to a nobler life by enchanting stories of the virtues of the heroes of old.
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Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today - but the core of science fiction, its essence has become crucial to our salvation if we are to be saved at all.
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It came about as follows: over the years when I was involved in dianetics, I wrote the beginnings of many stories. I would get an idea, and then write the beginning, and then never touch it again.
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It is important to tell good stories. You can tell stories even if they are not huge, epic, and wonderful. You can still take the responsibility for being a scribe of your tribe.
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