Quotes 141 till 160 of 311.
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Most American Jews came from the lower middle classes, and therefore they brought with them not a lot of Jewish culture. The American Jewish story starts with Ellis Island, and the candy store in the Bronx.
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Most people yearn to contribute, make the world a better place and have success.... all at the same time... Make sure to give your business a background, a mission and a story. That might be the most important step part of any venture. And remember, giving may be the best investment you ever make.
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My criteria for what makes a book an official 'favorite,' is based almost entirely on how desperately I don't want the story to end.
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My favorite Oscar story was a year my brother had been nominated, my whole family went.
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My favorite roles usually have to do with the story, if it's a good story I usually enjoy doing the character.
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My first instinct was to cast as close to the short story as possible, but then I realized that I needed actors who could go for it and that they had to function well as a couple in a love story.
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My friends knew I was obsessed with these 'Twilight' boys because I love a dangerous love story.
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My idea of an amusement park story is getting adventurers to go tour environmental disaster areas. After all, if the entire Great Barrier Reef gets killed, which seems like an extremely lively possibility, what are you going to do with all that rotting limestone?
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My purpose is to have American Jews look away from the success story with which they've cheered themselves up, and to have them remember the classical tradition, whatever it is.
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My Soul to Keep is the ultimate love story with a black man and a black woman. I call it the ultimate love story. It's about an immortal. We're shooting for this Fall and that's been a six year development right there.
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My style of writing is to allow the story to unfold on its own. I try not to structure my work too rigidly.
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My theory is that everything an actor does, from the way he looks at his watch to the way he moves across the stage, is in the service of advancing a story, and in that sense, it's all writing. In that sense we, while acting, write.
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My work is not about my life history. It's not about the story of my neurosis.
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Myth is the hidden part of every story, the buried part, the region that is still unexplored because there are as yet no words to enable us to get there. Myth is nourished by silence as well as by words.
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Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
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Needless, heedless, wanton and deliberate injury of the sort inflicted by Life's picture story is not an essential instrument of responsible journalism.
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Never trust the teller, trust the tale.
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No story is the same to us after a lapse of time; or rather we who read it are no longer the same interpreters.
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No test tube can breed love and affection. No frozen packet of semen ever read a story to a sleepy child.
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Not often in the story of mankind does a man arrive on earth who is both steel and velvet, who is as hard as rock and soft as drifting fog, who holds in his heart and mind the paradox of terrible storm and peace unspeakable and perfect.
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