Quotes 41 till 60 of 402.
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Basically it's the core story. About a guy having an affair with the mother of the girl he falls in love with.
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Because Dickens and Dostoevsky and Woody Guthrie were telling their stories much better than I ever could, I decided to stick to my own mind.
Liner notes, The Bootleg Series Vol. 6: Bob Dylan Live 1964 (2004) -
Being a survivor doesn't mean being strong - it's telling people when you need a meal or a ride, company, whatever. It's paying attention to heart wisdom, feelings, not living a role, but having a unique, authentic life, having something to contribute, finding time to love and laugh. All these things are qualities of survivors.
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Believe me, you can get into a lot of trouble being sixteen years old in a foreign country with no adult telling you when to come home.
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Better the rudest work that tells a story or records a fact, than the richest without meaning.
The seven lamps of architecture -
Bullfighting is every bit as ghoulish and savage as its critics warn, but it is equally as powerful and moving as its supporters insist. Perhaps the most vexing aspect about it is that neither group is wrong: they are both telling the truth.
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But Ship Who Sang remains my favorite story. I really rocked folks with that and still cannot read it aloud myself without weeping at the end.
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But what I hope for from a book - either one that I write or one that I read - is transparency. I want the story to shine through. I don't want to think of the writer.
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Cambridge is thriving and Britain is working. We have been telling people - 'if you value it, vote for it' - and this is particularly relevant in Cambridge.
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Cases of sickness made up a very small percentage which in my opinion was normal. However, propaganda pamphlets dropped from aircraft were telling the workers to feign illness, and detailed instructions were given to them on how to do it.
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Crime stories are our version of sitting round a camp fire and telling tales. We enjoy being scared under safe circumstances. That's why there's no tradition of crime writing in countries that have wars.
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Death is the sanction of everything the story-teller can tell. He has borrowed his authority from death.
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Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
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Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but it's still about respecting the story.
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Don't speak evil of someone if you don't know for certain, and if you do know ask yourself, why am I telling it?
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Even though your kids will consistently do the exact opposite of what you're telling them to do, you have to keep loving them just as much.
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Eventually the writing takes time. What I want to do is get the story down and I want to know what happens as I write my way into the knowledge of the story.
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Every poet and musician and artist, but for Grace, is drawn away from love of the thing he tells to love of the telling till, down in Deep Hell, they cannot be interested in God at all but only in what they say about Him.
The Great Divorce (1944) -
Everyone's entitled to express their political beliefs. I don't presume to tell anybody who to vote for. I am comfortable telling people what my opinions are.
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Exploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story.
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