Quotes 201 till 220 of 304.
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The first law of story-telling. Every man is bound to leave a story better than he found it.
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The first profile piece on myself came about after my Rabbi sent information to the Jewish Chronicle on what I was up to. The story was then picked up by one of the nationals and things grew from there.
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The first time I can remember thinking that I would like to be a writer came in sixth grade, when our teacher Mrs. Crandall gave us an extended period of time to write a long story. I loved doing it. I started working seriously at becoming a writer when I was seventeen.
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The greatest felony in the news business today is to be behind, or to miss a big story. So speed and quantity substitute for thoroughness and quality, for accuracy and context.
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The guru, if he is gifted, reads the story as any bilingual person might. He does not translate-he understands.
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The history of Buenos Aires is written in its telephone directory. Pompey Romanov, Emilio Rommel, Crespina D. Z. de Rose, Ladislao Radziwil, and Elizabeta Marta Callman de Rothschild - five names taken at random from among the R's - told a story of exile, desolation, disillusion, and anxiety behind lace curtains.
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The less lines, the better. I am the silent film actor, but not in a slapstick sort of way. Film is an image-based medium, so whatever you can say without the words is far more provocative and punctuating. If the lines are not funny or if they don't advance the story, sometimes it's hard. I hate talk in movies.
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The liar at any rate recognizes that recreation, not instruction, is the aim of conversation, and is a far more civilized being than the blockhead who loudly expresses his disbelief in a story which is told simply for the amusement of the company.
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The life of every person is like a diary in which he means to write one story, and writes another.
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The more limitations you put on a character, often times the better a character you'll make them, the more interesting the story becomes because the character can't simply wave a hand and make something happen. They have to work within the framework.
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The most difficult story that I've ever been involved in breaking on any of my shows was 'The Constant' episode of 'Lost,' which was when Desmond was consciousness-traveling.
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The movie is actually from a book by Stephen King called The Body. When they were gonna put it to a motion picture, they found the story was a bit too strong for the title The Body, based on a young kid's movie. It would be too heavy.
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The myth of Canada, its hidden story, is of a contemplative country, a place of inwardness, where people can question the idea of nationhood and ponder what values we wish to see expressed and achieved, and what solitudes of identity and reverie we wish to preserve.
Towards A Canada of Light First Meditation, p. 38 -
The pictures do not lie, but neither do they tell the whole story. They are merely a record of time passing, the outward evidence.
Collected Novels Volume Four (2016) 8 -
The power of the story sheds a light and great perspective on well known facts. The power of cinema draws on that collective history.
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The professionalism of wire service reporters is constantly being tested because reporters know that if they're late or sloppy on a story, it will show up because the competition is likely to be not late and not sloppy.
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The radios are going to dictate. That's another fight. That's another story there. I wish they just let it be.
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The really tough thing would have been to decide to take Woodward and Bernstein off the story. They were carrying the coal for us - in that their stories were right.
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The simple act of telling a woman's story from a woman's point of view is a revolutionary act: it never has been done before.
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The story is also about the battle between Arthur and the Saxons. The Saxons were destroying everything they came across and Arthur was left when Rome was falling because this movie takes place in 400 A.D.
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