Quotes 21 till 40 of 304.
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A short story is a love affair, a novel is a marriage. A short story is a photograph; a novel is a film.
Faceboek (2012) -
Actors, we like stories, we like storytelling, we love being a part of the story, and if you give us a story that's interesting then we'll want to do it.
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All my fiction starts from a feeling of unique perception, the pressure of a secret, a story that needs to be told.
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All the best stories in the world are but one story in reality - the story of escape. It is the only thing which interests us all and at all times, how to escape.
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All the sweetness of religion is conveyed to the world by the hands of story-tellers and image-makers. Without their fictions the truths of religion would for the multitude be neither intelligible nor even apprehensible; and the prophets would prophesy and the teachers teach in vain.
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All their life in this world and all their adventures in Narnia had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on for ever: in which every chapter is better than the one before.
The Chronicles of Narnia (1950) The Last Battle (1956), Closing lines, in Ch. 16 : -
All writers know how important a good title is. It's the first thing readers see, along with a knock-your-socks-off cover - a seductive 'come hither' for the story within.
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Although Bill Finger literally typed the scripts in the early days, he wrote the scripts from ideas that we mutually collaborated on. Many of the unique concepts and story twists also came from my own fertile imagination.
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Among other things they picked out a detail that Charles had been offered the Governorship of Hong Kong in its dying days by Thatcher in return for shutting up about the inner cities. He quite rightly in my view led the paper on this story.
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An idea might spark an essay, but never a story.
(2008) -
And ever since then, when the clock strikes two, She walks unbidden from room to room, And the air is filled that she passes through With a subtle, sad perfume. The delicate odor of mignonette, The ghost of a dead and gone bouquet, Is all that tells of her story — yet Could she think of a sweeter way?
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And that's why any of my picture books exist: They all seem to be built backwards from a simple, emotionally optimistic story beat.
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And were an epitaph to be my story I'd have a short one ready for my own. I would have written of me on my stone: I had a lover's quarrel with the world.
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Basically it's the core story. About a guy having an affair with the mother of the girl he falls in love with.
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Better the rudest work that tells a story or records a fact, than the richest without meaning.
The seven lamps of architecture -
But Ship Who Sang remains my favorite story. I really rocked folks with that and still cannot read it aloud myself without weeping at the end.
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But what I hope for from a book - either one that I write or one that I read - is transparency. I want the story to shine through. I don't want to think of the writer.
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Death is the sanction of everything the story-teller can tell. He has borrowed his authority from death.
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Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
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Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but it's still about respecting the story.
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