Quotes 21 till 40 of 55.
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In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or whatever.
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It is possible to have a pretty good life and career being a leech and a parasite in the media world, gadding about from TV studio to TV studio, writing inconsequential pieces and having a good time.
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It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
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Karl Lagerfeld looks very tough because of the glasses, and he has all these rings and the leather gloves, and he's so smart. But he's a very nice person... when he comes into a room or studio, he is going to say hello to each person, and the same when he leaves.
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Ke$ha is her art; there is no curtain you peel back to find the real person. And with Ke$ha, you never know what to expect when you're in the studio.
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Locations are all tough, all miserable. I never left the sound stage for 18 years at Warners. We never went outside the studio, not even for big scenes.
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Most films I work on, the people making the film are constantly second-guessing the executives of the studio, the producer, and the audience. It is very hard to accomplish anything in that situation.
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My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing.
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My studio's always in my house. I want to wake up and be like, 'You know I'm gonna make music today in my underwear. You know what, I'm gonna be in my pajamas. You know what, I'm actually just gonna stay inside for the next three days so I can make music.'
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Once we get them in the studio, you interview a person the same way you would interview another. You ask them a question. You let them answer. You try to listen closely and then ask a follow-up.
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Once we were in the studio, we realized we were getting certain effects through the shooting of the dramatic scenes on video, shooting off a screen and then getting wave patterns and stuff like that.
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One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury.
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One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.
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One thing I love to do is produce. I've produced a couple of bands. I mean, nothing ever really happened with 'em, but I enjoy getting a young band into the studio and guiding them, and making them feel at ease.
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Studio executives are intelligent, brutally overworked men and women who share one thing in common with baseball managers: they wake up every morning of the world with the knowledge that sooner or later they're going to get fired.
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T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.
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The fans of 'Speed' are very different from the fans of 'To Wong Foo,' which are different from 'Donnie Darko.' Look at the classics I've been in: 'No Country for Old Men'... 'Little Miss Sunshine'... 'Rain Man' was my first big studio movie! How lucky is that?
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The first session I did with the Stones was an accident. I just happened to be wandering down the hallway of the same studio.
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The magic can happen in a studio. Special things can happen in a recording studio, even though it may seem like a clinical environment from the outside looking in.
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The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.
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