Quotes 2141 till 2160 of 2473.
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Whatever side I take, I know well that I will be blamed.
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Whatever white people do not know about Negroes reveals, precisely and inexorably, what they do not know about themselves.
Source: The Fire Next Time (1963) -
When 'Blue Collar TV' was on the 'WB,' we were their second-highest rated show, but they didn't know what to do with us. They had 'Reba,' which was number one, and we were number two, and they didn't want to be known as the hayseed network, so they kind of dropped us, even though we were pulling great numbers.
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When a business group tells us there is nothing wrong with the environment, naturally they may have good arguments, but we are also sceptical, because we know that they have an interest in these things.
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When a fellow tells me he's bipartisan, I know he's going to vote against me.
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When a natural discourse paints a passion or an effect, one feels within oneself the truth of what one reads, which was there before, although one did not know it. Hence one is inclined to love him who makes us feel it, for he has not shown us his own riches, but ours.
Source: Pensees (1669) -
When a true genius appears in the world you may know him by this sign: that all the dunces are in confederacy against him.
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When a true genius appears in this world, you may know him by this sign, that the dunces are all in confederacy against him.
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When ancient opinions and rules of life are taken away, the loss cannot possibly be estimated. From that moment, we have no compass to govern us, nor can we know distinctly to what port to steer.
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When any government, or church for that matter, undertakes to say to it's subjects, this you may not read, this you must not see, this you are forbidden to know the end result is tyranny and oppression, no matter how holy the motive.
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When he first started - Jim Henson, who created Bid Bird and Oscar - he said Big Bird was just a big, goofy guy. And it was - a script came along and I said, 'I think Big Bird would be much more useful to the show if he were a child learning all the things we were teaching in the show.' And so he didn't know the alphabet, even, for instance.
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When I am working on a problem, I never think about beauty but when I have finished, if the solution is not beautiful, I know it is wrong.
― Richard Buckminster Fuller
American architect, systems theorist, author, designer, and inventor (1895 - 1983) -
When I choose a role it's either because I recognise the man, or that I'm very curious to know him. If I neither recognise nor know him, then it is better that I don't play him.
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When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.
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When I got into high school, I got really into basketball. I had this itch that I wanted to just move. I didn't know what I wanted to do, but I knew that if basketball became a scholarship or something, it would be a means to that. It turned out I couldn't jump that high.
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When I hold you in my arms and I feel my finger on your trigger I know no one can do me no harm because happiness is a warm gun.
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When I interview someone, I know in the first two minutes if I like them or not. I find that if it's easy to talk to someone and I see an openness and honesty and integrity, then I usually hire them.
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When I married Wilnelia, one of the first things I wanted to know about Puerto Rico was the quality of the golf courses.
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When I play, I stare at the left hand of whoever is playing lead. And I get to know what people are playing well enough that when they start going somewhere, once they arrive, I'm already there.
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When I played drunks I had to remain sober because I didn't know how to play them when I was drunk.
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