Quotes 21 till 40 of 926.
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It's often just enough to be with someone. I don't need to touch them. Not even talk. A feeling passes between you both. You're not alone.
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Most of our censure of others is only oblique praise of self, uttered to show the wisdom and superiority of the speaker. It has all the invidiousness of self-praise, and all the ill-desert of falsehood.
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Our job is only to hold up the mirror - to tell and show the public what has happened.
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Perhaps in His wisdom the Almighty is trying to show us that a leader may chart the way, may point out the road to lasting peace, but that many leaders and many peoples must do the building.
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Syntax and vocabulary are overwhelming constraints - the rules that run us. Language is using us to talk -we think we're using the language, but language is doing the thinking, we're its slavish agents.
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That aesthetic of the Star Wars universe: the do-it-yourself, hotrod ethic that George Lucas exported from his childhood, is exactly the same kind of soul behind what we do and build for the show. It may not look pretty, but it gets the job done.
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The world has the habit of making room for the man whose actions show that he knows where he is going.
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To speak and to speak well, are two things. A fool may talk, but a wise man speaks.
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When I was eight, I bought my first puppet. It was a monkey, and I paid five cents for it. I collected some scrap wood and built myself a puppet theatre. I made 32 cents with my first show, which I thought was pretty good, and that's when I knew I would be a puppeteer when I grew up.
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You're in a much better position to talk with people when they approach you than when you approach them.
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'Brisco' was the first show I created, and of course, at the time I had no idea what a special experience it was because I didn't have a frame of reference. After it was over I was like, 'Damn. Shoot. That was something special.' I'm still upset that it got cancelled.
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'Damages' was cool. It brought me back to New York for a little while, so that was a lot of fun, and I was obviously very excited about the opportunity to work with Rose Byrne and Glenn Close. I'd been a fan of that show before I started working on it.
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'Dr Who' is an extraordinary association that I have because I didn't realise until I was in the show quite how worldwide it is and how popular and how dear it is to so many people's hearts.
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'Longmire' is more of a show about the characters, and you couldn't pay a bigger compliment than to want to know more about my character, or the characters on the show.
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'South Park' is so hilarious... I remember when it first came out: that show changed television forever.
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'The Mary Tyler Moore Show' was the best television, the best cast, the best-written television show ever.
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'The Simpsons' is still my favorite show. I have a really strong connection to it.
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'The Talk-Funny Girl' opens with a glum picture of a desperately poor rural New England family. Poverty has so brutalized the family that the ordinary laws and rules governing humanity have eroded, turning systems of behavior upside down.
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'Tis beauty, so to speak, nor good talk necessarily. It's just IT. Some women will stay in a man's memory if they once walked down a street.
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'Tis the privilege of friendship to talk nonsense, and have her nonsense respected.
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