Quotes 1 till 12 of 12.
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'Diary of a Teenage Girl' was my first American movie. It was my first movie in an American accent. It's based on a graphic novel, which was written in 2002 by someone called Phoebe Gloeckner. It was turned into a play by Marielle Heller, who then wrote it as a screenplay for Sundance Labs.
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Acting was always there, it's true. But for a long time, in my teenage years, I wasn't sure about it - not because I didn't like it, but I didn't want people to think I hadn't earned it.
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Aretha Franklin was a teenage mom, a musician who came from an incredibly Christian background, but there was a lot of love, which is really inspiring in a feminist way.
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Giving money and power to government is like giving whiskey and car keys to teenage boys.
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In many respects a teenage girl's home is more important to her than at any time since she was a small child. She also needs emotional support and protection from the most corrosive cultural forces that seek to exploit her when she is least able to resist.
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It sounds so negative of me to say, but I don't feel like there were many coming-of-age films when I was growing up. I think that when I was a teenager, I felt really misrepresented in the teenage roles that I was watching onscreen. Especially in women.
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It's very witty and it's great to see teenage characters have control that way. And you can actually hear about sex and pot and it's okay, it's not completely bad and you can't say that to teenagers.
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My first ever-ever professional role was in a television show in England called 'Love Soup.' It starred Tamsin Greig. I just played a small role - I think officially my role was 'teenage boy' - it was one episode.
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Not eating breakfast is the worst thing you can do, that's really the take-home message for teenage girls.
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Teenage boys, goaded by their surging hormones run in packs like the primal horde. They have only a brief season of exhilarating liberty between control by their mothers and control by their wives.
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The minimum wage is the black teenage unemployment act. It is the guaranteed way of holding the poor, the minorities and the disenfranchised out of the mainstream is if you price their original services too high.
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When I was young, there weren't any teenage girls I could relate to in film. They were all put in boxes: the virginal good girl, the really sarcastic asexual one. I wanted to do something that represented how I felt then.
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