Quotes 861 till 880 of 2078.
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It's an odd experience reading interviews with yourself. Interesting, though. Of course, you know that the journalist will have edited, rephrased or even rewritten what you actually said, but you can't help feeling that there's a special kind of truth in the way someone else paints you, however subjective they might be.
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It's been a straight strip, I must tell you, I've enjoyed it all the way. If I'm saying things to make it sound like it's hard, hard work, it's not. It's beautiful work. It's fun work. It's everything you'd ever want to do
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It's cool to be different and just be who you are and shock people in a good way.
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It's fine to work on any problem, so long as it generates interesting mathematics along the way - even if you don't solve it at the end of the day.
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It's frightening, the way life speeds up. When you're at school, time can't go fast enough.
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It's hard not to be excited when you're going to find a way to land on the moon.
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It's hard to imagine you've got these massive wings in your back. You have to think about how it's going to affect your posture, affect the way you move, just, like, the sheer weight of them.
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It's heartbreaking but we're trying to get over it. As disappointed as we were, I think that somehow you have to find a way to think that it happened for a reason.
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It's how we spend our time here and now, that really matters. If you are fed up with the way you have come to interact with time, change it.
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It's incorrect to think of bacteria as these asocial, single cells. They are individual cells, but they act in communities, exactly the way people do.
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It's like a jigsaw, there's a piece of the puzzle at the beginning and it's the only one and of course it had a lot to do with the way you look. And then you have to have the time to add pieces of the jigsaw.
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It's like driving a car at night. You never see further than your headlights, but you can make the whole trip that way.
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It's like you asked me about the depression thing: you grope towards an understanding of whatever it is your going through, and it's not personal, there are forces in play around you, and you seek to understand them and that way you can go on.
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It's necessary to track characters all the way through an opera. If you're dealing with more than one or two characters, it's very easy to forget that the others have lives of their own that feed into the story.
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It's not an act, it's just my way.
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It's not catastrophes, murders, deaths, diseases, that age and kill us; it's the way people look and laugh, and run up the steps of omnibuses.
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It's not surprising, then, they get bitter, they cling to guns or religion or antipathy to people who aren't like them or anti-immigrant sentiment or anti-trade sentiment as a way to explain their frustrations.
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It's pretty scripted on the road: very organised and compartmentalised, and that's the way it has to be with so many people involved in a Stones tour.
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It's probably the worst feeling in the world, when you're deeply and madly in love with a woman and you know she's not feeling you the same way, and you don't know why.
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It's really hard for me to commit, one way or the other. I was just always creating and seeing what came out.
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