Quotes 3301 till 3320 of 3657.
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When I came back to Washington to be The Times' chief congressional correspondent in 1991, I was looking for a book subject, and Ted Kennedy stood out for two reasons.
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When I came out, when I was 17 years old, it was one of those things where I realized that there was going to be so many obstacles, but being gay doesn't mean being weak.
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When I come out and sing the first few bars of Bill Bailey, it's very exciting.
Bobby Darin
American singer, songwriter, multi-instrumentalist, impressionist, and actor (1936 - 1973) -
When I decided to go for four gold medals I planned it out over a few years. It was in four different events and there was a lot to it.
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When I decided to stay in Iraq, I decided to take the fear out of my body and put it into a freezer.
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When I despair, I remember that all through history the way of truth and love has always won. There have been tyrants and murderers and for a time they seem invincible but in the end, they always fall - think of it, ALWAYS.
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When I did the video for 'Holding Out For A Hero,' we filmed that on top of the Grand Canyon, and that was quite frightening. I was close to the edge, and there was a helicopter hovering about, creating a lot of wind, and I was nervous I was going to fall off.
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When I do eventually drop, I pray to God that it'll happen in one of three ways. Firstly, on stage or leaving the stage, then secondly in my sleep. And the third way? You'll have to figure that out for yourself!
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When I do short films, I try to do something completely out of my comfort zone, out of my element.
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When I entered high school I was an A-student, but not for long. I wanted the fancy clothes. I wanted to hang out with the guys. I went from being an A-student to a B-student to a C-student, but I didn't care. I was getting the high fives and the low fives and the pats on the back. I was cool.
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When I first came to the House of Commons and walked out into the lobby, men sprang to their feet. I asked them to sit down since I'd come to walk around. I didn't want them doing me favours.
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When I first meet a girl, I have some questions I go through if I'm interested in her. Like, if she's a good-looking girl, and I figure out right away that she doesn't read, that's a dealbreaker for me.
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When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.
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When I first started out, 'Time' magazine did an article on what it called 'the sick comics,' and they were myself, Shelley Berman, Nichols & May, Jonathan Winters, Lenny Bruce, and Mort Sahl. We were considered 'sick.'
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When I first started singing in Paris, I sounded horrible: I was just singing to get some money to eat. And I wasn't singing my own songs: it was Bob Dylan, Bob Marley, Jimi Hendrix. Eventually, when I wrote my own music, my style just came out of my own place.
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When I got into high school, I got really into basketball. I had this itch that I wanted to just move. I didn't know what I wanted to do, but I knew that if basketball became a scholarship or something, it would be a means to that. It turned out I couldn't jump that high.
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When I got to 'Saturday Night Live,' it was a lot like going from pre-school to Harvard, and it took a long time to figure stuff out.
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When I got to New York, I had no place to sleep. The pay from 'Sesame Street' wasn't enough to rent an apartment. I was staying on people's couches. I stayed in the dressing room until they found out. I stayed with Jim Henson and his family for a week, and I wanted to do that permanently. I didn't dare ask, though.
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When I grew up, there was still black and white TV. I was told to never get out of bed once you're put to bed. I'd sneak down the hallway, try to avoid the creaking floor boards and go in and watch the 'Midnight Movie.'
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When I have a first draft, I have a floor under my feet that I can walk on. Then, especially with the help of the computer, rewriting is so easy to do with the computer, much easier than it used to be with the typewriter. So the books go through numerous drafts.
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