Quotes 401 till 420 of 1326.
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In a word, the free Church in a free State has been the programme which led me to my first efforts, and which I continue to regard as just and true, reasonable and practical, after the studies of thirty years.
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In America, there's a very long tradition of a comic strip that comes in newspapers, which is not true all over the world. To sell papers, they put color comics in.
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In an ideal world, you might imagine that scientific papers were only cited by academics on the basis of their content. This might be true. But lots of other stuff can have an influence.
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In dread fear of sentimentality, another thing true is not said-that for its staff the paper is a source of pride and, I do believe, an object of affection and-yes, love.
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In effect, to follow, not to force the public inclination; to give a direction, a form, a technical dress, and a specific sanction, to the general sense of the community, is the true end of legislature.
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In every election in American history both parties have their clichés. The party that has the clichés that ring true wins.
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In fact, I spent 25 years as a reporter, swearing I would never become an editor. Sitting at a desk, watching other people go out and find the story, and then fussing with other people's words - I just didn't get the appeal of that.
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In fact, the converse is true: At a time when the United States has been called on for a level of moral leadership, vision and inspiration not seen since World War II, we cannot afford to dissemble about crimes against humanity.
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In Los Angeles you get the sense sometimes that there's a mysterious patrol at night: when the streets are empty and everyone's asleep, they go erasing the past. It's like a bad Ray Bradbury story - 'The Memory Erasers'.
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In Mozambique, the story goes, monkeys do not talk, because they know if they utter even a single word some man will come and put them to work.
Source: Contact (1985) Ch. 18 (p. 313) -
In order to remain true to oneself one ought to renounce one's party three times a day.
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In politics, it's very theatrical. There's a lot of stage craft. The campaign is trying to tell a story that they want people to believe in, and candidates are playing the role, like actors, by a creative personae that people will be attracted to.
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In sex we have the source of man's true connection with the cosmos and of his servile dependence. The categories of sex, male and female, are cosmic categories, not merely anthropological categories.
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In some ways, that's the story of my season - when I wasn't making big mistakes, I was winning races and being on the podium. And when I made mistakes I was still fourth or fifth, just off the podium.
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In terms of the mechanics of story, myth is an intriguing one because we didn't make myth up; myth is an imprinture of the human condition.
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In the case of 'Blood Stone,' the producers, EON, Michael Wilson, Barbara Broccoli, David Wilson and Gregg Wilson, had an idea for a story and had a lot of it done. And I came in, worked with them, fleshed it out.
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In the early Seventies, I started writing a little autobiographical novel about my childhood - I made it into a mystery story.
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In the first two years this is a man who tried his best to balance the budget, to reform health care, to fight for gay rights, to support personal freedoms. Couldn't those be considered doing the right things, evidence of true character?
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In the province of the mind, what one believes to be true either is true or becomes true.
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In the sky, there is no distinction of east and west; people create distinctions out of their own minds and then believe them to be true.
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