Quotes 1481 till 1500 of 1616.
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When I first came to Hollywood, I used to dream of doing films and escaping television.
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When I first came to the House of Commons and walked out into the lobby, men sprang to their feet. I asked them to sit down since I'd come to walk around. I didn't want them doing me favours.
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When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
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When I first landed at Pixar, I felt like I found this creative oasis with John Lasseter... It's what you thought Hollywood was going to be.
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When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.
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When I first meet a girl, I have some questions I go through if I'm interested in her. Like, if she's a good-looking girl, and I figure out right away that she doesn't read, that's a dealbreaker for me.
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When I first moved to Los Angeles, I had a really bad run. I would sleep in my car during the day outside the Disney building in Burbank, and that's where I got my first job, which is really weird. I liked to stay around the studios and kind of get the good vibes going.
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When I first ran for Congress in 1992, I campaigned on a pledge to make affordable, quality healthcare a right, not a privilege, for all Americans.
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When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.
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When I first started out, 'Time' magazine did an article on what it called 'the sick comics,' and they were myself, Shelley Berman, Nichols & May, Jonathan Winters, Lenny Bruce, and Mort Sahl. We were considered 'sick.'
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When I first started singing in Paris, I sounded horrible: I was just singing to get some money to eat. And I wasn't singing my own songs: it was Bob Dylan, Bob Marley, Jimi Hendrix. Eventually, when I wrote my own music, my style just came out of my own place.
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When I got my first television set, I stopped caring so much about having close relationships.
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When I got my tour card I cried. When I got my first win - and my first pay check - I cried. All these things make me cry.
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When I got started, I was a sideshow. At my first Consumer Electronics Show, in 1977 in Chicago, people came from all over the floor to see the 'lady programmer.' They had me dressed in a turquoise lab coat with my name embroidered on the pocket.
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When I have a first draft, I have a floor under my feet that I can walk on. Then, especially with the help of the computer, rewriting is so easy to do with the computer, much easier than it used to be with the typewriter. So the books go through numerous drafts.
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When I interview someone, I know in the first two minutes if I like them or not. I find that if it's easy to talk to someone and I see an openness and honesty and integrity, then I usually hire them.
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When I joined Custer I donned the uniform of a soldier. It was a bit awkward at first but I soon got to be perfectly at home in men's clothes.
The Life and Adventures of Calamity Jane, Hayes Barton Press -
When I joined the Mumfords I made a commitment to them so they'll always come first. But I'm a bit of a workaholic and Communion helps me get a grip on dealing with my life.
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When I listened to Elvin Jones, man, for the first time I heard a drummer that had all the technique plus emotion, passion, feel, and just - good God!
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When I married Wilnelia, one of the first things I wanted to know about Puerto Rico was the quality of the golf courses.
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