Quotes 8201 till 8220 of 25590.
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I was a huge Bowie fan since I was 12 years old. That was the first 'punk' rock I got into in the Seventies. I didn't find out about a lot of the other stuff that was going on, like New York Dolls and Roxy Music, until a lot later.
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I was a man before I was a king, and no true man walks away when a friend needs him.
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I was a narrative historian, believing more and more as I matured that the first function of the historian was to answer the child's question, What happened next?
A Personal History (1983) p. 301 -
I was a true wrestler. I was a Division I national champion. I came into the business wanting one thing and one thing only, and that was to be the champion, and I wasn't going to let anybody stand in my way. I think there was one guy that had a problem with that, and that was Undertaker.
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I was actually pretty shy in school. My defense mechanism was to be the class clown. I remember getting into a lot of trouble for being disruptive, and I was brought in front of the headteacher, who said: 'What's going to happen to you; what are you going to do when you grow up?' and I said: 'Well, I'm obviously going to be a comedian.
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I was afraid that by observing objects with my eyes and trying to comprehend them with each of my other senses I might blind my soul altogether.
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I was always a visual person. I could see things visually. I had a harder time with numbers and logic, and I always had more of an artistic sensibility. So that I could do. And it was something that I really loved.
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I was always looking outside myself for strength and confidence but it comes from within. It is there all the time.
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I was always very grateful to 'em and am grateful to 'em now. I went back a couple of years ago and did their 20th anniversary show. But the longer I stayed on Hee Haw, the worse things got for me musically.
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I was an only child. I lost both my parents. By the time I was twenty I was bald. I'm homosexual. In the way of circumstances and background to transcend I had everything an artist could possibly want. It was practically a blueprint. I was programmed to be a novelist or a playwright. But I'm not.
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I was an undergraduate at Princeton, and I was pressed by the math department to go on to graduate school. Actually they gave me fellowships that paid my way, otherwise I would not have been able to continue.
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I was asked to memorize what I did not understand; and, my memory being so good, it refused to be insulted in that manner.
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I was at college doing performing arts, and just spending all my time mucking about, and the lecturers thought I would be pretty good at stand-up, so I gave it a whirl.
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I was becoming wise by experience, and I was compelled to observe that when mud and wet sapped the physical energy of the lazily-inclined, a dog-whip became their backs, restoring them to a sound--some-times to an extravagant activity.
How I found Livingstone (1872) Ch. 6 -
I was blown away by the standing ovation. I've had tributes before, sure, but I don't retain that feeling, and I wasn't prepared for it on Tuesday. But maybe you shouldn't retain these things or you'd be on a permanent high.
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I was born illegitimately and almost immediately, as I understand it, placed in an orphanage. So my very earliest memories were in an orphanage. It was the tag end of the Great Depression when I was born. People were desperately poor.
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I was born in London, England, in 1938, a few months before the war, and spent the first years of my life there, although I was evacuated a couple of times for short periods. My schooling was very interrupted, both by frequent moves and by ill health.
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I was born on 22 March 1931 in New York, the elder child of Abraham and Fanny Richter.
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I was born with an enormous need for affection, and a terrible need to give it.
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I was brought up in the great tradition of the late nineteenth century: that a writer never complains, never explains and never disdains.
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