Quotes 3601 till 3620 of 3717.
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You cannot run away from weakness; you must some time fight it out or perish; and if that be so, why not now, and where you stand?
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You dig into yourself and the community to wage psychological war fare; you combat your own fears about beatings, shootings, and possible mob violence... you create a small striking force capable of moving out when the time comes.
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You don't have to do everything by the time you're 30. Or 40. All you need is a work ethic. It's what allows you to push through moments of disappointment and self-doubt and fear.
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You don't have to get it right the first time.
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You don't have to work for Google, or any of the other firms encouraging staff to pursue personal projects on company time, to use slowness to unlock your creativity. Anyone can do it. Start by clearing space in your schedule for rest, daydreaming and serendipity. Take breaks away from your desk, especially when you get stuck on a problem.
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You don't merely give over your creativity to making a film, you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously; you have no option but to confront the mould on last night's washing-up.
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You don't need a Harvard MBA to know that the bedroom and the boardroom are just two sides of the same ballgame.
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You elected government officials to make decisions and it's about time they started making good ones.
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You expect far too much of a first sentence. Think of it as analogous to a good country breakfast: what we want is something simple, but nourishing to the imagination. Hold the philosophy, hold the adjectives, just give us a plain subject and verb and perhaps a wholesome, nonfattening adverb or two.
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You get stared at the whole time. I first noticed that when I was about 13. I was very shy. Being considered beautiful, I always felt that people were waiting for something more. I imagined you were supposed to have an intellectual ability - and I'm making no claims here - proportional to your supposed good looks.
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You get up about 2-3 o'clock in the morning and get through about 7 or 8 and 12 hours later you start all over. That's the worst kind of work a person can do. You have to do these two shifts to get one day.
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You go to LA, or you go to New York, and it's really fun to go there. But they're not grounded. Everybody is just competing all the time for the limelight. It's too much entertainment industry. There are too many choices. And it's distracting to me.
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You have a new audience for every show. Even though you do the same thing all the time, you gotta keep it fresh for yourself, and you gotta keep it good and interesting and something you want to do. I'm anxious to have a really terrific act. Whatever it takes it takes.
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You have to act as if it were possible to radically transform the world. And you have to do it all the time.
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You have to decide whether you want to make money or make sense, because the two are mutually exclusive.
― Richard Buckminster Fuller
American architect, systems theorist, author, designer, and inventor (1895 - 1983) -
You have to find it in the moment, and that's one of the challenges of being an actor - especially a film actor - is that you have to maintain these heightened emotions for long periods of time. There's no trick to it. You just have to do.
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You have to have pace, you have to have high production values, you have to have interesting graphics, and you have to have attractive people. CNN could afford not to be so obedient to those commands, and for a long time, it wasn't.
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You have to make more noise than anybody else, you have to make yourself more obtrusive than anybody else, you have to fill all the papers more than anybody else, in fact you have to be there all the time and see that they do not snow you under, if you are really going to get your reform realized.
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You have two alternatives. One: you can put your life on hold and wait for the phone to ring. Two: you run ahead as if your life depended on it.
All two-time famous quotes and sayings you will always find on greatest-quotations.com (page 181)
