Quotes 1 till 11 of 11.
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Hollywood films are alienating to the spectator because they use too much dialogue, too much explication and leave no space for the viewer. They depress me.
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One doesn't make art for other people, even though I am very concerned with the viewer.
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So, in other words, how you respond to a sculpture, how a viewer sees the sculpture, is vital.
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Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.
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The hidden child wants to be able to participate and to co-create in art, rather than being simply an admiring viewer.
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The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
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There are always two people in every picture: the photographer and the viewer.
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There's something imminent in the work, but the circle is only completed by the viewer.
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What the newer landscape artists see in a circle of a hundred degrees in Nature they press together unmercifully into an angle of vision of only forty-five degrees. And furthermore, what is in Nature separated by large spaces, is compressed into a cramped space and overfills and over-satiates the eye, creating an unfavorable and disquieting effect on the viewer.
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Women get scrutinized based on appearance far more than men. And look, I speak from experience here. When I wear a bad outfit on the air, I get viewer e-mail complaining about it. A lot of e-mail. Seriously.
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You can't create a movie as you think about it. And what's in the scene is not what's being seen. A shot always means something other than what it is. All are vehicles. A landscape is just a vehicle. The viewer might think different things, and I'm not going to intervene.
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