Quotes 1241 till 1260 of 1301.
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With narration, you have to be very accurate with your voice. It's a good exercise to do.
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With over 3 million women battling breast cancer today, everywhere you turn there is a mother, daughter, sister, or friend who has been affected by breast cancer.
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With the a cappella groups, every voice is like one string on a guitar, one note on the piano, or one cymbal, and you don't have the luxury of falling back on anything.
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Women are a sisterhood. They make common cause in behalf of the sex; and, indeed, this is natural enough, when we consider the vast power that the law gives us over them.
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Women don't want to hear what you think. Women want to hear what they think - in a deeper voice.
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Women have been trained to speak softly and carry a lipstick. Those days are over.
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Women over 35 have great stories, and the actresses are there, but you can't get the movies made.
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Worldly faces never look so worldly as at a funeral. They have the same effect of grating incongruity as the sound of a coarse voice breaking the solemn silence of night.
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Worry is a useless mulling over of things we cannot change.
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Y'all are so cute and y'all talk so proper over here. I love England.
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You always want to try, in everything you do, to attempt something you've never tried before, and the only way to succeed at that is through failure, and the only way to succeed through failure is just banging your head against the wall over and over until you get to that interesting thing on the other side.
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You can become a winner only if you are willing to walk over the edge.
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You cannot raise the standard against oppression, or leap into the breach to relieve injustice, and still keep an open mind to every disconcerting fact, or an open ear to the cold voice of doubt.
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You do a clean show and it's over and the audience have enjoyed themselves and you've enjoyed yourself, and you haven't had to resort to shock.
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You do not lead by hitting people over the head - that's assault, not leadership.
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You don't get to cut that chain of evidence and start over. You're always going to be pursued by your data shadow, which is forming from thousands and thousands of little leaks and tributaries of information.
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You don't learn to walk by following rules. You learn by doing, and by falling over.
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You don't merely give over your creativity to making a film, you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously; you have no option but to confront the mould on last night's washing-up.
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You get a sense of how the show works and then let your personality take over.
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You get up about 2-3 o'clock in the morning and get through about 7 or 8 and 12 hours later you start all over. That's the worst kind of work a person can do. You have to do these two shifts to get one day.
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