Quotes 15261 till 15280 of 25937.
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Playing live is really the art form. You're a lot freer, a lot looser. You've got people there that can give you feedback, and then you can play off of that. There's so much more energy.
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Plays are so much more special if they've never ever had a production, but I think you can really work on a play and make it better with each production.
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Please all, and you will please none.
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Please try to remember that what they believe, as well as what they do and cause you to endure does not testify to your inferiority but to their inhumanity.
Source: Nobody Knows My Name (1961) -
Pleasure and action make the hours seem short.
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Pleasure and pain, though directly opposite are contrived to be constant companions.
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Pleasure is a by-product of doing something that is worth doing. Therefore, do not seek pleasure as such. Pleasure comes of seeking something else, and comes by the way.
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Pleasure is labour too, and tires as much.
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Pleasure is Nature's test, her sign of approval. When man is happy, he is in harmony with himself and his environment.
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Pleasure is the object, duty and the goal of all rational creatures.
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Pleasure that is obtained by unreasonable and unsuitable cost, must always end in pain.
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Pleasure usually takes the form of me and now; joy is us and always.
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Plenty of men can do good work for a spurt and with immediate promotion in mind, but for promotion you want a man in whom good work has become a habit.
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Plot is what happens in your story. Every story needs structure, just as every body needs a skeleton. It is how you 'flesh out and clothe' your structure that makes each story unique.
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Plots, true or false, are necessary things, to raise up commonwealths, and ruin kings.
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Plunge boldly into the thick of life, and seize it where you will, it is always interesting.
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Plus, you know, when I was young, there was a lot of respect for clowning in rock music - look at Little Richard. It was a part of the whole thing, and I always also believed that it released the audience.
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Poems have a different music from ordinary language, and every poem has a different kind of music of necessity, and that's, in a way, the hardest thing about writing poetry is waiting for that music, and sometimes you never know if it's going to come.
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Poems, for me, begin as a social engagement. I want to establish a kind of sociability or even hospitality at the beginning of a poem. The title and the first few lines are a kind of welcome mat where I am inviting the reader inside.
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Poetry and progress are like two ambitious men who hate one another with an instinctive hatred, and when they meet upon the same road, one of them has to give place.
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